Come Hear the Band! Cover Image

Come Hear the Band!: SoundTrax Digital Audio Download

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Come Hear the Band! Cover Image

Come Hear the Band!: SoundTrax Digital Audio Download

A Partner Song with Irving Berlin's "Alexander's Ragtime Band"

Arr., with new words and music, by Sally K. Albrecht and Jay Althouse

Item: 00-A-00015037

$24.95
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015037

More about this title

About the Composer: Irving Berlin

Irving Berlin (1888-1989) was an American composer and lyricist who shaped the sound of American popular music across eight decades. Self-taught and prolific, Berlin wrote over 1,000 songs that became standards in musical theater, film, and the American songbook. His melodies are direct and memorable, his rhythms infectious, and his gift for capturing the vernacular of his era made his work instantly singable by performers and audiences alike.

Why we love this

This arrangement captures the infectious energy and straightforward charm that made Berlin's marches and novelty songs so durable. The combination of movement and staging options with a partner song structure gives directors multiple ways to bring the piece to life, and the recorded accompaniment makes rehearsal flexible whether you're in a full choir or working with smaller ensembles.

What to expect

Bright, brassy, and buoyant. The march character evokes a small-town parade or a vaudeville stage, with the warmth and directness that Berlin brought to his theatrical writing. The energy is infectious and the mood celebratory.

Who it's for

This piece works for mixed choirs and treble choirs looking for an accessible, high-energy novelty selection. It's ideal for middle school through adult choirs that want something with theatrical flair but without technical complexity.

How to get the most out of it

  • Commit fully to the rhythmic drive of the march; Berlin's syncopation lands best when sections snap together rather than rush.
  • Use the staging and movement suggestions to enhance the novelty character—these aren't optional flourishes but part of what makes the piece work.
  • Balance the partner song so that both melodic lines are equally heard; this isn't call-and-response, but genuine two-part conversation.
  • Lean into clear diction in the text to make the humor and character land with an audience.

How to use it

Program this as a closer or an opener to lift the energy of a concert. It pairs well with other American standards or with lighter repertoire, and the built-in movement options make it memorable in a concert setting where visual interest sustains audience engagement.

Skills your students will build

  • Singing with rhythmic precision in march time
  • Executing partner song independence while maintaining ensemble blend
  • Integrating movement and blocking into vocal performance
  • Diction clarity in up-tempo novelty material

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