Combo Sounds of the Big Band Era, Volume 2 Cover Image

Combo Sounds of the Big Band Era, Volume 2: Bass Clef Instruments Book

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Combo Sounds of the Big Band Era, Volume 2 Cover Image

Combo Sounds of the Big Band Era, Volume 2: Bass Clef Instruments Book

Arr. Jack Bullock

Item: 00-SB292

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Description
The tunes made popular in the '40s are still alive in contemporary arrangements. All are written in compatible books and are great for combos of 2, 3 or more. Titles include: C Jam Blues * Do Nothin' Till You Hear from Me * Georgia on My Mind * In a Mellow Tone * It Don't Mean a Thing * Over the Rainbow * 720 in the Books.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-6387-9
ISBN13: 978-0-7692-6387-8
UPC: 029156134025
SKU: 00-SB292
Instrumentation: Bass Clef Instruments

More about this title

About the Arranger: Jack Bullock

Jack Bullock

Jack Bullock brings deep experience across performance, composition, and classroom teaching to his arranging work. A trumpet player who performed with the Miami Philharmonic Orchestra, Miami Opera Company, and touring dance bands, he studied with respected artists including Harry Glantz and Craig McHenry. He holds degrees in Music Education at the undergraduate, graduate, and doctoral levels.

Bullock's catalog exceeds 600 published works spanning concert band, orchestra, jazz ensemble, and marching band. He co-authored the Belwin 21st Century Band Method and contributed arrangements to Music Expressions, Alfred Music's comprehensive school music curriculum. His teaching tenure includes 20 years in secondary instrumental music and seven years as assistant band director at Ithaca College's School of Music, where he also chaired the Music Education Department. An ASCAP member since 1980, he has conducted clinics and workshops throughout the United States, Canada, and England.

Why we love this

These arrangements capture the authenticity of the big band sound while remaining practical for small combos and mixed instrumentation. Bullock's intimate knowledge of both jazz idiom and classroom pedagogy shines through in voicings that sit comfortably across bass clef instruments while maintaining the sophistication that makes these standards endure.

What to expect

Swing-era sophistication meets accessibility. These tunes carry the relaxed confidence and harmonic warmth of 1940s jazz while remaining rhythmically straightforward enough for developing musicians to engage authentically with the style.

Who it's for

Jazz combos and small ensembles looking for flexible, peer-tested arrangements of accessible big band standards. This book pairs with compatible parts in other clefs, making it ideal for school jazz programs, studio groups, or community ensembles where instrumentation varies.

How to get the most out of it

  • Balance the bass line with the melody voices; in small combos, the bass clef instruments anchor the harmonic foundation, so lock the rhythm feel before adding expression
  • Approach the swing feel as a framework rather than a rigid grid; let the phrasing breathe in passages marked with space
  • Listen to classic recordings of these standards to internalize the original melodic contours and phrasing, then apply those ideas to Bullock's arrangement

How to use it

Use this collection as a foundation for a jazz concert or as thematic programming around American standards. The seven titles span blues, ballads, and uptempo swing, giving you flexibility to build a set that showcases different moods and technical approaches within a single rehearsal or performance.

Skills your students will build

  • Reading and interpreting swing eighth-note feel
  • Voice leading and harmonic awareness in jazz contexts
  • Ensemble blend and balance in small group settings
  • Articulation and phrasing in jazz idiom
  • Sight-reading across compatible instrumentation

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