Club Date Combo Collection, Volume II Cover Image

Club Date Combo Collection, Volume II: B-flat Tenor Saxophone (Part III) Book

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Club Date Combo Collection, Volume II Cover Image

Club Date Combo Collection, Volume II: B-flat Tenor Saxophone (Part III) Book

Arr. Dave Wolpe

Item: 00-SPBK9804

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Description
The second collection published in the popular Club Date Combo format. The tunes are Johnson Rag * Oh, You Beautiful Doll * Bad, Bad Leroy Brown * My Funny Valentine * Avalon * (We're Gonna) Rock Around the Clock * Moody * It's Deja Vu All Over Again.

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Additional Details
Series: Club Date Combo Series
Publisher: Alfred Music
Page Count: 20
ISBN10: 0-7579-9051-7
ISBN13: 978-0-7579-9051-9
UPC: 029156952452
SKU: 00-SPBK9804
Instrumentation: B-flat Tenor Saxophone (Part III)

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe began his arranging career in 1965 and has since become a trusted voice in big band and swing repertoire. His work with the Glenn Miller Orchestra spans dozens of arrangements, and he served as co-arranger on the platinum-selling In the Christmas Mood, bringing his ear for ensemble balance and classic swing style to projects across multiple generations of orchestras.

Why we love this

Wolpe's arrangements in this collection respect the integrity of each tune while writing genuinely playable parts for a working jazz combo. The tenor saxophone voice sits naturally in the ensemble, giving your players real responsibility in the harmony and rhythmic foundation without overwhelming them.

What to expect

The collection spans the full spectrum of mid-century American music, from the syncopated snap of Johnson Rag to the romantic ease of My Funny Valentine to the unabashed energy of Rock Around the Clock. You'll find yourself shifting between straight-ahead swing feel, ballad tenderness, and novelty groove, which keeps the book fresh across rehearsals and performances.

Who it's for

Tenor saxophone players in community jazz combos, small jazz ensembles, and club date situations who need reliable, musically satisfying parts. This book works for intermediate players comfortable with swing articulation and jazz phrasing who want to build ensemble reading skills in an accessible setting.

How to get the most out of it

  • Lock into the rhythm section's pocket early in rehearsal, especially on the swing tunes where your tenor line anchors the harmonic movement.
  • Pay attention to the dynamic shaping within each section; Wolpe writes with clear contrasts between melody statements and ensemble fills.
  • Approach the rock and novelty tunes with the same articulation precision you'd use on the jazz standards to maintain ensemble cohesion across the stylistic range.

How to use it

Ideal for a mixed-repertoire jazz combo concert or a themed evening that showcases American popular song and dance music from the early-to-mid 1900s. Any tune from this collection works as a standalone number, or you could program several consecutive pieces to show the breadth of styles your ensemble can handle.

Skills your students will build

  • Reading jazz articulation and phrasing conventions
  • Interpreting slash chords and jazz harmonic notation
  • Balancing part independence within a small ensemble texture
  • Shifting between swing feel and straight rhythm
  • Listening for and responding to rhythm section cues

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