Club Date Combo Collection, Volume II Cover Image

Club Date Combo Collection, Volume II: Bass Book

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Club Date Combo Collection, Volume II Cover Image

Club Date Combo Collection, Volume II: Bass Book

Arr. Dave Wolpe

Item: 00-SPBK9811

$7.95
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Description
The second collection published in the popular Club Date Combo format. The tunes are Johnson Rag * Oh, You Beautiful Doll * Bad, Bad Leroy Brown * My Funny Valentine * Avalon * (We're Gonna) Rock Around the Clock * Moody * It's Deja Vu All Over Again.

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Additional Details
Series: Club Date Combo Series
Publisher: Alfred Music
Page Count: 20
ISBN10: 0-7579-9049-5
ISBN13: 978-0-7579-9049-6
UPC: 029156952520
SKU: 00-SPBK9811
Instrumentation: Bass

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe began his arranging career in 1965 and has since established himself as a trusted voice in big band and jazz orchestra repertoire. His work with the Glenn Miller Orchestra spans dozens of arrangements, and he served as co-arranger on the platinum-selling album In the Christmas Mood. Beyond his Glenn Miller contributions, Wolpe has arranged for several celebrated orchestras, including those of Ray Anthony, Lawrence Welk, and Les Brown.

Why we love this

Wolpe's bass book cuts through the clutter of generic jazz charts with smart voicings that sit perfectly in a working combo. Each tune lands with clarity and purpose, giving your bass player a real melodic and harmonic foundation instead of just time-keeping exercises. The mix of standards, novelty tunes, and rock-era pieces keeps rehearsals fresh while building genuine reading and swinging skills.

What to expect

The collection balances swinging sophistication with the casual warmth of tunes people actually want to hear. Johnson Rag bounces with mischievous energy, while My Funny Valentine sits in the smooth pocket of sophisticated ballad writing. Rock Around the Clock drops into a groove that reminds you why rock and jazz share the same rhythmic DNA.

Who it's for

Jazz ensemble directors building a working book of tunes that sound professional and play reliably in combo settings. Bass players of intermediate to advanced level who need authentic parts that respect the jazz idiom while remaining accessible. Groups programming concerts, festivals, or casual performances where a mix of swing standards and recognizable hits creates immediate audience connection.

How to get the most out of it

  • Lock in with the drums early in rehearsal; the bass line either locks the groove or undermines it, so establish that pocket together before adding harmonic voices
  • Pay attention to the ensemble balance in ballads like My Funny Valentine, where the bass needs to support harmony without overpowering the soloists
  • Treat the rhythmic figures in uptempo pieces like Johnson Rag and Rock Around the Clock as written; Wolpe's articulations shape the ensemble's attack
  • Study the harmonic movement in Avalon and Deja Vu to anticipate chord changes and support chord substitutions the horn section might try

How to use it

Pair these eight tunes across a full concert to demonstrate range, using the novelty pieces and rock tune as engaging bookends around your ballad and straightahead swing selections. A single tune works perfectly as an opener or closer in a festival or casual performance. Build a club date concept around the entire collection for a spring concert that celebrates American song and audience accessibility.

Skills your students will build

  • Walking bass lines and harmonic awareness in jazz context
  • Sight-reading jazz notation and chord symbols
  • Ensemble listening and lock with rhythm section
  • Stylistic flexibility across swing, ballad, and rock grooves
  • Navigating melodic and harmonic movement in standards

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