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Close (but No Cigar): Piano/Vocal/Chords

Lyrics by Lynn Ahrens, music by Stephen Flaherty

Item: 00-PS-0010969

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Description
A collection of highlights from the career of one of the most honored Broadway songwriting teams of our time: Lynn Ahrens and Stephen Flaherty. This songbook contains songs that are a joy to perform, no matter what your age from their Tony Award®-winning musical Ragtime to acclaimed shows like Seussical: The Musical and Once On This Island. Titles: After the Storm * All Those Christmas Cliches * Alone in the Universe * At the Beginning * Back to Before * Close But No Cigar * Come Down from the Tree * How Lucky You Are * The Human Heart * I Was Here * If the World Were Like the Movies * It's Possible * Journey to the Past * Larger than Life * Love Who You Love * Make Them Hear You * Mama Will Provide * My Body Wasn't Why * Oh, the Thinks You Can Think * Once Upon a December * Our Children * Ragtime * Something Beautiful * Streets of Dublin * Times Like This * Waiting for Life * Wheels of a Dream.

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Additional Details
Publisher: Alfred Music
Page Count: 208
SKU: 00-PS-0010969

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty is a composer whose theatrical works span Broadway, film, and concert stages. His collaborations with lyricist Lynn Ahrens have produced some of the most performed musical theater scores of the past three decades, earning multiple Tony Awards and reaching audiences from regional theaters to international stages.

Flaherty's compositional voice blends sophisticated harmonic language with melodies that remain accessible and memorable. His gift for storytelling through music has made his work a staple in music education, community theater, and professional productions alike.

Why we love this

This collection gathers some of the most singable Broadway material written in recent decades. The songs span a wide emotional and stylistic range, from gentle character moments to full-voiced ensemble numbers, giving you genuine programming flexibility whether you're building a concert, teaching song interpretation, or casting singers in auditions.

What to expect

These songs inhabit a theatrical middle ground: earnest and emotionally direct without sentimentality, lyrical without being overly sentimental. Whether you're singing a moment of quiet reflection or a declaration of identity, the music meets the honesty of the moment with straightforward grace.

Who it's for

Pianists and singers preparing repertoire for recitals, auditions, or concerts will find immediate value here. Music teachers and choral directors can draw from this collection to introduce students to contemporary Broadway song writing at manageable technical and emotional levels.

How to get the most out of it

  • Balance accompaniment against the vocal line carefully. Flaherty's piano writing is often quite full and can easily overshadow the melody if not managed with intentional dynamics.
  • Pay attention to the lyrics when shaping phrasing and breath points. These songs are built on strong storytelling, and honoring the text matters as much as the notes.
  • Use the chord symbols to explore harmonic support beyond what the written accompaniment suggests. Many of these songs work well with simplified or rearranged accompaniments for different skill levels.
  • Investigate the original recordings to understand orchestral context and style, then make deliberate choices about how your arrangement serves your performers and venue.

How to use it

Consider pairing songs from different shows to create a concert exploring common themes (identity, hope, community) across Flaherty and Ahrens's catalog. Individual songs work well as recital pieces or as teaching repertoire for demonstrating song form, character development, and the relationship between lyric and melody.

Skills your students will build

  • Reading and performing contemporary Broadway song literature
  • Interpreting legible chord symbols and understanding harmonic context
  • Shaping vocal lines according to dramatic intent and lyrical meaning
  • Accompanying singers with clarity and appropriate stylistic support
  • Analyzing connections between music and text in theatrical contexts

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