Clap Your Hands, Rejoice! Cover Image

Clap Your Hands, Rejoice!: SoundTrax Digital Audio Download

$27.99 USD
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Clap Your Hands, Rejoice! Cover Image

Clap Your Hands, Rejoice!: SoundTrax Digital Audio Download

Words and music by Andy Beck

Item: 00-A-00015108

$27.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015108

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 choral works, vocal resources, and children's musicals published across the industry. His pedagogical materials, including Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique, have shaped how singers approach technique and musicianship. A trained tenor with degrees in Music Education from Ithaca College and Northwest Missouri State University, Beck performs regularly with the North Carolina Master Chorale Chamber Choir and serves as a guest conductor, choreographer, and clinician for honor choirs and all-state groups throughout the United States.

Beck's compositions have reached singers across the globe, as evidenced by countless performances shared online. His work as both a performer and educator informs every piece he writes; his commitment to accessible, artistically rigorous choral writing and music literacy runs through everything Alfred Music publishes under his guidance.

Why we love this

Beck's gift for writing music that sounds celebratory without requiring advanced vocal technique makes this an accessible win for choirs at any level. The built-in movement and staging elements transform what could be a straightforward piece into a full performance moment, giving your singers a clear dramatic purpose beyond singing the notes. The recorded accompaniment lets you focus on interpretation and visual execution rather than playing from a keyboard.

What to expect

Bright, infectious joy. The piece invites physical participation and celebratory energy without descending into novelty; it reads as genuinely uplifting and fun rather than gimmicky. Your singers will feel the forward momentum built into the harmonic and rhythmic writing, making this one they'll want to perform repeatedly.

Who it's for

This piece works for middle school and high school choirs seeking a secular concert number that combines musicality with theatrical engagement. It's equally at home in a spring concert, assembly, or community performance where you want your singers to feel energized and your audience to leave smiling.

How to get the most out of it

  • Teach the movement vocabulary in separate rehearsals before combining it with the singing. Once singers feel secure in both, the staging will enhance rather than distract from the vocal line.
  • Use the recorded accompaniment at tempo during the final rehearsals and dress rehearsal; singers often sing with more confidence and precision when they lock into a steady recorded track.
  • Check dynamics against the harmonic motion. Beck typically uses dynamic shaping to support chord changes, so a well-paced crescendo and decrescendo will naturally clarify the harmonic movement.
  • Balance your voiced parts against the movement. If staging pulls focus upstage, ensure your lower voices project enough to maintain harmonic integrity from all angles of your performance space.

How to use it

Program this as a concert opener or finale to establish an upbeat tone, or place it alongside other secular pieces in a thematic concert about celebration and community. Because it includes movement and staging, it pairs well in a program where you're alternating between stillness (ballads, art songs) and theatrical pieces, creating visual and emotional contrast.

Skills your students will build

  • Performing choreography while maintaining vocal line integrity
  • Responding to tempo and phrasing cues in recorded accompaniment
  • Balancing ensemble blend during movement-based staging
  • Sustaining energy and projection across a secular concert work

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