Christmas Time Is Here Cover Image

Christmas Time Is Here: SATB Choral Octavo

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Christmas Time Is Here Cover Image

Christmas Time Is Here: SATB Choral Octavo

By Lee Mendelson and Vince Guaraldi / arr. Teena Chinn

Item: 00-CH9803

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Description
This holiday perennial from 'A Charlie Brown Christmas' is sure to warm the hearts of everyone within earshot of your performance. A welcome, fun addition to any holiday concert.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
UPC: 029156666380
SKU: 00-CH9803

More about this title

About the Composer: Vince Guaraldi

Vince Guaraldi (1928-1976) composed the score for 'A Charlie Brown Christmas' in 1965, creating what would become one of the most beloved television specials in American culture. His jazz-inflected piano melodies and warm harmonic language defined the show's gentle, nostalgic character and remain instantly recognizable to generations of listeners. Guaraldi's gift for writing accessible yet sophisticated music made him a vital figure in expanding what holiday music could be.

Why we love this

Teena Chinn's arrangement preserves the intimate charm of Guaraldi's original while giving it room to breathe in a choir setting. The piece walks a fine line between genuine musicality and holiday accessibility, letting singers connect with a melody that carries real emotional weight rather than relying on seasonal novelty.

What to expect

The piece carries the quiet thoughtfulness of winter rather than boisterous Christmas cheer. Its gentle melodic contour and understated harmony evoke a moment of stillness and reflection, the kind of feeling that makes holiday music meaningful beyond its seasonal context.

Who it's for

Holiday choirs of all levels will find this arrangement accessible and musically satisfying. The writing lies comfortably in the middle of the staff for all four parts, making it suitable for adult, high school, and strong middle school ensembles alike.

How to get the most out of it

  • Balance the parts to let the soprano line shine without drowning the inner voices; this melody deserves clarity, but the supporting harmony grounds the warmth that makes the piece work.
  • Avoid rushing the tempo even if the piece feels simple; the gentle character depends on allowing each phrase room to breathe and connect.
  • Shape the dynamic arch across the whole arrangement rather than staying static; quiet moments early on make the fuller passages later feel earned.
  • Use the recorded accompaniment as a learning tool during rehearsals, but work toward ensemble independence so your singers own the musicality themselves.

How to use it

This works beautifully as a quiet moment in a larger holiday concert, especially when surrounded by more energetic seasonal fare. Its genuineness pairs well with other jazz-influenced or contemporary holiday music, and it can anchor a program by reminding audiences why certain melodies endure.

Skills your students will build

  • Singing with sustained legit tone across longer phrases
  • Balancing four-part harmony with clear line independence
  • Interpreting dynamic nuance in music without tempo changes
  • Reading and responding to recorded accompaniment cues

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