Christmas Pops Trio (A Medley): 2-Part Choral Octavo
Featuring: Winter Wonderland / Have Yourself a Merry Little Christmas / It's the Most Wonderful Time of the Year
Arr. Jay Althouse
Item: 00-PO-0007710
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More about this title
About the Arranger: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. His extensive background in music publishing, including eight years as a rights and licenses administrator and a term on the Executive Board of the Music Publishers Association of America, shaped his deep understanding of what choirs need and want to sing.
As a composer and arranger, Althouse has created more than 800 choral works performed across the English-speaking world. His versatility spans children's musicals (co-written with Sally K. Albrecht), vocal solo collections, instructional resources for music classrooms, and choral arrangements that balance accessibility with musical substance. He is an ASCAP member and regular recipient of the ASCAP Special Award. Althouse resides in North Carolina, where he has remained active in the choral music community.
Why we love this
Althouse knows what works in a holiday concert, and this medley delivers exactly that. Six minutes of seamless, spirited arranging across three beloved songs gives your choir genuine holiday material that feels fresh rather than tired, and the pop sensibility makes it accessible to singers at every experience level while still sounding polished and intentional.
What to expect
This medley radiates warmth and joy without veering into sentimentality. The pop-influenced harmonies and rhythms give the familiar carols a contemporary lift, creating something that feels both comforting and alive. Six minutes of genuine choral celebration that sounds like a choir having fun together.
Who it's for
Choirs of developing singers who need solid holiday material that works within limited rehearsal time. The 2-part voicing makes it ideal for middle school choirs, community groups, or high school ensembles seeking straightforward yet musically satisfying arrangements that don't sacrifice style for simplicity.
How to get the most out of it
- Bring out the rhythmic snap in the pop voicings by drilling the syncopated sections with crisp articulation; the medley relies on energy and groove as much as melody.
- Balance the two parts carefully during unison passages, ensuring the upper and lower lines blend rather than compete, especially in transitional moments between songs.
- Use the recorded accompaniment in rehearsals to lock in tempo and style early; this allows singers to focus on blend and phrasing rather than tracking the beat themselves.
- Shape the medley as one continuous arc rather than three separate pieces; subtle tempo and dynamic shifts between songs will enhance the sense of flow.
How to use it
Position this as a centerpiece or opening number in a holiday concert to set an upbeat, accessible tone; its length and energy work well early in the program when audiences and singers are fresh. Pair it with quieter, more reverent pieces later in the concert for dynamic contrast, or use it as the finale to send audiences out energized.
Skills your students will build
- Blending two independent melodic lines while maintaining rhythmic precision
- Performing syncopated rhythms in pop/jazz style with rhythmic confidence
- Singing connected medleys without losing focus between song transitions
- Balancing melody and harmony in contemporary harmonic language