Christmas Pops Trio (A Medley) Sheet Music Preview

Christmas Pops Trio (A Medley): SATB Choral Octavo

Featuring: Winter Wonderland / Have Yourself a Merry Little Christmas / It's the Most Wonderful Time of the Year

Arr. Jay Althouse

Item: 00-PO-0007685

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$2.95

Minimum order quantity: 20 copies

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Description
The ultimate holiday medley! Three all-time seasonal favorites have been combined for guaranteed holiday success. Everyone will enjoy these six glorious minutes of wonderfully arranged Christmas cheer!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
SKU: 00-PO-0007685

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was honored as a Distinguished Alumnus. His career spans both the publishing and creative sides of music education; he spent eight years managing rights and licensing at a major educational publisher and served on the Executive Board of the Music Publishers Association of America.

As a composer, Althouse has placed more than 800 choral works with publishers across the English-speaking world. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award for his compositions. Beyond his original work, he has co-created children's musicals with his wife Sally K. Albrecht, edited widely-used vocal solo collections, co-authored influential books like The Complete Choral Warm-up Book and Accent on Composers, and contributed educational resources for the classroom. His choral composition "I Hear America Singing," co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 inauguration.

Why we love this

Althouse knows exactly how to pace a medley so it lands as one cohesive six-minute arc rather than three disconnected songs. The jazz voicings and contemporary arranging style give these holiday standards genuine stylistic personality while keeping the writing accessible enough that most SATB choirs can deliver the goods in rehearsal.

What to expect

Bright, nostalgic, and celebratory. This is holiday music that lands squarely in the comfort zone, familiar melodies that audiences recognize and applaud, arranged with enough contemporary energy to feel current rather than dated. The six-minute arc builds momentum through the familiar songs, creating genuine festive warmth without veering into saccharine territory.

Who it's for

This medley works best for intermediate to advanced high school and adult choirs comfortable with jazz voicings and contemporary harmonic language. Directors programming holiday concerts want pieces that feel fresh and polished; this delivers both without asking singers to navigate extreme ranges or complicated rhythmic patterns.

How to get the most out of it

  • Treat the transitions between songs as compositional moments. Althouse has likely crafted connective material, so resist rushing through those passages; they're what make this feel like a medley rather than a jukebox.
  • Balance the full ensemble sound with moments where individual voice parts shine. Check for divisi sections that might need extra attention in rehearsal so the harmonic color reads clearly.
  • If using the recorded accompaniment, rehearse several times without it first. Your singers will lock into the groove more naturally and feel less dependent on the track during performance.
  • The 20-page score gives you real textural variety to explore. Use dynamic contrast and section independence to keep the energy moving through all six minutes without letting it feel routine.

How to use it

Position this as the anchor of your second half or as a finale that sends people out smiling. The medley format and polished arranging make it work equally well as a concert opener that sets the holiday tone or as a standalone showcase for what your choir can deliver in contemporary style.

Skills your students will build

  • Singing in jazz voicings and extended harmonies
  • Moving between multiple melodic themes while maintaining harmonic coherence
  • Responding to contemporary arranging techniques (voice leading, color changes, rhythmic layering)
  • Performing with rhythmic precision in a secular holiday context

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