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Choose Your Fighter: SSA Choral Octavo

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Choose Your Fighter: SSA Choral Octavo

Recorded by Ava Max for Barbie

Words and music by Michael Pollack, Amanda Koci, Madison Love, and Henry Walter / arr. Jack Zaino

Item: 00-51165

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Description
Ava Max's exhilarating Barbie hit embraces individuality and encourages us to design our own paths. A caffeinated a cappella opening gives way to a dance-pop hook that really packs a punch! It's a high-energy anthem that will have your audience singing along: "Wings of a butterfly, eyes of a tiger . . . choose your fighter!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081582023
SKU: 00-51165

More about this title

Why we love this

Jack Zaino's arrangement captures everything that makes this song infectious without losing the theatrical confidence of the original. The a cappella opening immediately establishes your singers as the driving force, and the transition into the dance-pop groove gives your ensemble a chance to deliver real attitude. Your audience will recognize it instantly, but the energy required to pull off the rhythmic precision and vocal coordination makes this feel genuinely earned, not borrowed.

What to expect

A burst of confidence in four minutes. The a cappella opening feels stripped-back and intimate, then explodes into a dance-pop groove that demands your singers move with the music. There's joy here, but also edge; this is an anthem for choosing yourself.

Who it's for

Directors looking for contemporary pop repertoire that energizes audiences without requiring instrumental accompaniment (though one is available). This works for SSA choirs ready to tackle rhythmic precision, syncopation, and an unapologetic pop sensibility.

How to get the most out of it

  • Lock the rhythmic precision of the a cappella opening by practicing those opening measures in strict unison before layering voicing. The tightness here sets expectations for everything that follows.
  • Lean into the character of the hook. This isn't background music; your singers own the phrase "choose your fighter" with conviction. Encourage them to sing as if they're claiming their own identity, not delivering someone else's lyrics.
  • Balance the upper and lower voices in the SSA voicing so the soprano lines don't overshadow the harmonic foundation. The arrangement's punch depends on both working together.
  • If using the recorded accompaniment, rehearse without it first so your ensemble understands the groove independently. When you add the track, they'll lock in rather than chase it.

How to use it

Program this as an opener or a show-closer when you need something that gets immediate recognition and audience engagement. It's particularly effective in concert settings where your audience is already familiar with the Barbie film, but the arrangement's musicality means it stands on its own merit in any mixed concert.

Skills your students will build

  • Rhythmic precision in syncopated pop idiom
  • A cappella balance and blend without instrumental support
  • Character and intention in contemporary text
  • Coordination between independent vocal lines in SSA voicing
  • Sustaining energy and confidence throughout a high-intensity arrangement

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