Chitty Chitty Bang Bang (from <I>Chitty Chitty Bang Bang</I>) Sheet Music Preview

Chitty Chitty Bang Bang (from Chitty Chitty Bang Bang): 2-Part Choral Octavo

From the Motion Picture Chitty Chitty Bang Bang

Music and lyrics by Richard M. Sherman and Robert B. Sherman / arr. Jeff Funk

Item: 00-PO-0004753

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Description
Who can forget the catchy title song from the hit movie by the same title? The novelty of this tune is found in the articulation challenges of the lyrics and the sound-effect styling of the melody. The tempo is exciting and the accompaniment tracks are a thrill in themselves. This will be a fun and light addition to any program.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 8
SKU: 00-PO-0004753

More about this title

About the Composer: Richard M. Sherman

Richard M. Sherman, along with his brother Robert B. Sherman, shaped the sound of family entertainment across film, television, and stage for over six decades. The Shermans composed and wrote lyrics for some of the most recognizable melodies in popular culture, from Disney animated features to live-action musicals. Their gift for crafting memorable, singable melodies with clever, playful lyrics made their work accessible to audiences of all ages while remaining sophisticated enough for serious musicians to respect.

Why we love this

The Shermans understood how to write a hook that sticks, and this arrangement captures exactly why the title song became an instant classic. Jeff Funk's 2-part setting doesn't strip away the charm or novelty of the original; instead, it preserves the fun while keeping the part-writing singable and manageable for mixed-age choirs. The recorded accompaniment tracks are genuinely engaging, not a afterthought, which means your students will enjoy rehearsal as much as the audience will enjoy the concert.

What to expect

Buoyant, cheeky, and irresistibly bouncy. The melody has that distinctive mid-century pop charm, full of unexpected intervallic leaps and rhythmic quirks that make it sound more sophisticated than it is. From the first note, you hear the cartoon magic of the original film translated into a choral setting that celebrates rather than diminishes the tune's essential warmth and humor.

Who it's for

Any choir looking for repertoire that reminds audiences why choral music can be joyful and unabashedly fun. This works equally well for middle school and high school ensembles, adult community choirs, and even church choirs seeking something uplifting and entertainment-focused without sacrificing musicianship.

How to get the most out of it

  • Isolate the articulation patterns in measures where the lyrics demand precision. The novelty of the song rides on crisp, clean diction, so drilling these sections separately (even just the consonants) pays immediate dividends.
  • Lean into the comedic timing. This isn't a ballad requiring legit, the humor lives in the rhythmic punch and the silly sound effects, so encourage your singers to embrace the playfulness without losing musicality.
  • Let the recorded accompaniment carry the energy. The arrangement is designed to sit on top of an arrangement that's already doing the heavy lifting, so trust the accompaniment and focus your singers on locking their parts with confidence rather than trying to carry the sound themselves.

How to use it

Program this alongside other accessible, upbeat repertoire for a concert that leans into entertainment value and audience connection. It pairs beautifully with other Sherman Brothers work or other mid-century movie songs, and it's an excellent choice for a spring pops concert, family matinee, or any program where you want to send the audience home smiling. The 8-page length and straightforward 2-part voicing make it realistic for a single-rehearsal learning curve, so it works as a late-season addition when your schedule is already full.

Skills your students will build

  • Articulation clarity and rhythmic precision with text
  • Part independence in 2-part texture
  • Maintaining energy and musicality in uptempo, light repertoire
  • Responding to accompaniment and locking with recorded tracks

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