Chitty Chitty Bang Bang Cover Image

Chitty Chitty Bang Bang: String Orchestra Conductor Score

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Chitty Chitty Bang Bang Cover Image

Chitty Chitty Bang Bang: String Orchestra Conductor Score

Words and music by Richard M. Sherman and Robert B. Sherman / arr. Bob Cerulli

Grade: 2

Item: 00-25006S

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Description
This bright and bouncy tune from the film, Chitty Chitty Bang Bang™, offers all instruments an opportunity to play the melody. Violins I and II and Viola begin this familiar tune in unison with the Celli an octave lower. With the pick up to 29 - 36, the Basses and Celli are featured with the melody. This arrangement also has ample eighth and quarter note bowing variations.

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Additional Details
Series: Pop Beginning String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081274355
SKU: 00-25006S

More about this title

About the Composer: Richard M. Sherman

Richard M. Sherman and his brother Robert B. Sherman composed some of the most recognizable melodies in film and television history. Their work spans animated classics, live-action musicals, and beloved family films, establishing them as masters of accessible, singable melody writing. In the classroom and rehearsal hall, their compositions remain touchstones for engaging young musicians with material that connects immediately to students' cultural memory.

Why we love this

This arrangement distributes the iconic melody across your entire section in a way that keeps every player engaged and heard. The writing respects the Grade 2 level while offering genuine variety in bowing patterns and texture, so students experience real musical decision-making rather than static accompaniment figures.

What to expect

Playful and tuneful, with an infectious bounce that makes students smile the moment they recognize the melody. The arrangement sparkles with the kind of uncomplicated joy that comes from a tune designed to delight audiences across generations.

Who it's for

Grade 2 string orchestras ready to tackle material with genuine musicality alongside manageable technical demands. This works equally well for beginning orchestras developing section independence and conductors seeking repertoire that energizes students without requiring advanced techniques.

How to get the most out of it

  • Balance the opening unison passage (Violins I and II, Viola) carefully so the melody sings without drowning the lower voices. A slight emphasis on Violin I with Viola providing harmonic support creates transparency.
  • When Celli and Basses take the melody at measure 29, bring out their part distinctly while keeping the upper strings in a supporting role. This textural shift should feel intentional and fresh.
  • Shape the eighth and quarter note bowing variations expressively rather than mechanically. These figures are opportunities to teach phrasing within a single-line context, not just technical drill.
  • Maintain the bright, bouncy character throughout. The tune invites a light articulation; resist the urge to make it heavy or overly deliberate.

How to use it

Program this as a concert opener or lighter moment between more serious works. It pairs naturally with other Pop Beginning String Orchestra selections and works beautifully in family concerts, school assemblies, or as a seasonal finale when you want to send the audience out smiling.

Skills your students will build

  • Playing melody in unison and octaves across multiple sections
  • Bowing variation and articulation control within a single melodic line
  • Section balance and texture shifts (upper strings vs. lower strings featured)
  • Phrasing a familiar, song-like melody on instruments
  • Reading and executing rhythmic figures at Grade 2 level with musical intent

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