Chapua Kali Desemba (Chasing the Wild Winds of December - Swahili): SSA Choral Octavo
(Chasing the Wild Winds of December -- Swahili)
Words by John Parker, music by David Lantz III
Item: 00-PO-0000354
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Description
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More about this title
About the Composer: David Lantz
David Lantz is a composer and arranger whose work spans choral, instrumental, and educational music. His compositions for concert and school choirs are known for their accessibility, rhythmic vitality, and thoughtful integration of world music traditions.
Why we love this
This piece captures the infectious energy of children at play while introducing your choir to Swahili language and African musical textures. The call-and-response structure keeps singers engaged and makes learning the piece feel natural rather than rote, and the optional percussion parts give ensemble members without a strong vocal foundation a meaningful role.
What to expect
The piece radiates joy and movement; you hear children running freely across open land, with the December winds becoming a partner in their play rather than an obstacle. The combination of English and Swahili text grounds the listener in both familiar and discovered territory, making the performance feel adventurous without overwhelming.
Who it's for
This work suits middle school and high school SSA or SSAA choirs seeking repertoire that balances cultural authenticity with performance accessibility. It appeals to conductors building a winter concert that goes beyond traditional seasonal fare.
How to get the most out of it
- Keep the soloist's melodic line bright and conversational; the choir's rhythmic response should feel like playful interruption rather than formal accompaniment.
- If using percussion, have those players mark their parts early in rehearsal so the rhythmic foundation is locked before layering the vocal lines.
- Emphasize the Swahili text with clear articulation and rhythmic precision; the language's natural musicality will emerge once the ensemble commits to the marked rhythms.
How to use it
Program this as an energizing second-half opener on a winter concert to shift the mood from introspection to celebration. It pairs well with quieter, more reflective seasonal pieces and gives audiences a refreshing taste of African choral tradition.
Skills your students will build
- Call-and-response singing and rhythmic precision
- Pronunciation and diction in Swahili language
- Ensemble balance between soloists and choral sections
- Optional: basic percussion ensemble playing (if using included rhythm parts)