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Chanteys: Concert Band Conductor Score & Parts

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Chanteys Cover Image

Chanteys: Concert Band Conductor Score & Parts

By Robert Sheldon

Grade: 3 (Medium)

Item: 00-19542

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Description
Chanteys is an original work that recalls the music of the sea and its sailors. A jaunty opening sparkles with character and style before yielding to a pensive "Andante." The piece closes with a spirited juxtaposition of thematic material. Expressive, entertaining and great fun to play, Chanteys is another excellent choice for contests or spring concerts by Robert Sheldon. This piece was also selected by the Yamaha Music Media Corporation of Japan as one of the "100 Best Pieces for Band" for 2001. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Chanteys: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 280
ISBN10: 1-4706-5689-2
ISBN13: 978-1-4706-5689-8
UPC: 038081182551
SKU: 00-19542

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon stands among today's most widely performed composers for wind band, with works performed internationally and featured on prominent contest and concert programs. His output is prolific; he regularly accepts commissions and publishes new compositions annually, while also serving as lead author of Sound Innovations for Concert Band. He has received major awards from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers.

Sheldon's impact extends beyond composition into education and conducting. He appears regularly as guest conductor for All-State and Regional Honor Bands, leads clinics at universities and state music education conferences, and has guest conducted throughout North America, Europe, Asia, and Australia. His works have been performed at Carnegie Hall, Orchestra Hall in Chicago, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center. VanderCook College of Music awarded him an honorary doctorate in 2020.

Why we love this

Sheldon captures the essence of maritime tradition without resorting to obvious sea shanty quotations. The formal architecture here shows real craft: a character-filled opening that immediately engages the ensemble, a genuine contrast in the andante section that gives musicians room to phrase expressively, and a final section that juggles thematic ideas with both wit and weight. For Grade 3 bands, this offers the satisfying experience of playing something substantive that still sits comfortably in the technical range.

What to expect

Chanteys evokes the romance of maritime life without sentimentality. The opening feels fresh and alive, full of anticipatory energy, then yields gracefully to introspection before reasserting itself with confidence. It balances the breezy and the sincere, making room for both the humor in the writing and genuine moments of musical depth.

Who it's for

Grade 3 concert bands seeking a piece with genuine musical substance and clear identity. This works equally well for ensembles preparing for spring concerts or contest performance; the writing accommodates solid fundamentals while rewarding musical attention from the conductor and section leaders.

How to get the most out of it

  • Shape the jaunty opening with rhythmic precision but let the character shine through; avoid making it merely brisk or mechanical. The articulation style and dynamic inflection matter as much as the tempo.
  • In the Andante, commit fully to the shift in mood and dynamic level. This is where the band demonstrates its maturity and ability to sustain expression without the rhythmic drive of the opening.
  • Balance the return of thematic material in the final section so that both old and new ideas remain distinct. When themes stack or overlap, ensure the brass and reeds achieve clarity without losing the sense of momentum.

How to use it

Program this as a centerpiece in a spring concert where you want to feature a piece that stands on its own musically. It pairs well with both lighter novelty pieces and more serious contemporary works, giving your concert shape and variety. At the Grade 3 level, it signals to the audience that your band plays meaningful music, not just exercises.

Skills your students will build

  • Sustaining expression across tempo and mood changes (jaunty to andante to combined material)
  • Rhythmic precision and articulation control in a character-driven opening
  • Phrase shaping and dynamic control in contrasting slow sections
  • Balancing multiple thematic ideas when they occur simultaneously

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