Chanteys: Concert Band Conductor Score & Parts
By Robert Sheldon
Grade: 3 (Medium)
Item: 00-PK-0000338
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Chanteys: Score | $12.00 | |
| Chanteys: Piccolo | $3.00 | |
| Chanteys: Flute | $3.00 | |
| Chanteys: Oboe | $3.00 | |
| Chanteys: Bassoon | $3.00 | |
| Chanteys: 1st B-flat Clarinet | $3.00 | |
| Chanteys: 2nd B-flat Clarinet | $3.00 | |
| Chanteys: 3rd B-flat Clarinet | $3.00 | |
| Chanteys: E-flat Alto Clarinet | $3.00 | |
| Chanteys: B-flat Bass Clarinet | $3.00 | |
| Chanteys: E-flat Alto Saxophone | $3.00 | |
| Chanteys: 2nd E-flat Alto Saxophone | $3.00 | |
| Chanteys: B-flat Tenor Saxophone | $3.00 | |
| Chanteys: E-flat Baritone Saxophone | $3.00 | |
| Chanteys: 1st B-flat Trumpet | $3.00 | |
| Chanteys: 2nd B-flat Trumpet | $3.00 | |
| Chanteys: 3rd B-flat Trumpet | $3.00 | |
| Chanteys: 1st F Horn | $3.00 | |
| Chanteys: 2nd F Horn | $3.00 | |
| Chanteys: 1st Trombone | $3.00 | |
| Chanteys: 2nd Trombone | $3.00 | |
| Chanteys: 3rd Trombone | $3.00 | |
| Chanteys: Baritone T.C. | $3.00 | |
| Chanteys: Baritone B.C. | $3.00 | |
| Chanteys: Tuba | $3.00 | |
| Chanteys: Mallets | $3.00 | |
| Chanteys: 1st Percussion | $3.00 | |
| Chanteys: 2nd Percussion | $3.00 | |
| Chanteys: Timpani | $3.00 |
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Description
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About the Composer: Robert Sheldon

Robert Sheldon's compositions for wind band appear on concert and contest stages worldwide with remarkable consistency. His works have earned recognition from the American School Band Director's Association, Phi Beta Mu, and ASCAP, and he serves as lead author of Sound Innovations for Concert Band. Beyond the page, Sheldon maintains an active schedule as a guest conductor for All-State and Regional Honor Bands, clinician at universities and state music education conferences, and commissioned composer.
Sheldon's music has been performed in some of the world's most prestigious venues, including Carnegie Hall, Boston Symphony Hall, the Sydney Opera House, and the Kennedy Center. His conducting and clinician work spans North America, Europe, Asia, and Australia. In 2020, VanderCook College of Music awarded him an honorary doctorate in recognition of his contributions to music education and wind band literature.
Why we love this
Sheldon captures the vernacular energy of sea shanties without relying on folk arrangements or period instrumentation. The structural arc here works beautifully on concert programs: that opening sparkle sets immediate engagement, the contrasting Andante gives your ensemble room to breathe and balance tone, and the finale's thematic play rewards rehearsal with genuine musical payoff. Yamaha's 2001 recognition of this piece speaks to its durability on festival circuits, and directors consistently find it balances accessibility with the kind of character that makes audiences remember what they heard.
What to expect
The opening dances with nautical character: spirited, rhythmic, and full of personality. As the piece yields to the Andante, the maritime imagery shifts from deck activity to introspection, creating a pensive contrast that draws listeners in. The return reprises that opening energy with fresh sophistication, layering themes in a way that feels both playful and musically satisfying.
Who it's for
Concert bands at the Grade 3 level will find this piece sits comfortably within their technical range while offering genuine musical substance. Directors preparing for spring concerts or festival competitions will appreciate how Chanteys entertains both ensemble and audience without requiring specialized instrumentation or extended technique.
How to get the most out of it
- Shape the opening with rhythmic clarity and articulation that suggests the swagger of sailors without falling into cartoonish parody. The character lives in the precision, not the exaggeration.
- Use the Andante to establish your ensemble's melodic control. Balance the lower voices so that inner harmonic movement doesn't wash out the primary line.
- Lock the final section's thematic layering early. Sheldon stacks material that only works if each section hears its own part with confidence and listens across to the juxtaposition.
How to use it
Program Chanteys as a concert opener or as the centerpiece of a thematic set exploring American musical traditions. Its moderate length and appealing character make it an excellent choice for festival appearances, and its contest credentials will serve you well in competitive settings. The spring season is ideal for this work's lighter, character-driven energy.
Skills your students will build
- Balancing thematic material when multiple lines carry important musical content
- Sustaining musical contrast between fast and slow sections without losing structural coherence
- Rhythmic precision and articulation in character-driven, syncopated passages
- Sectional independence and listening while maintaining ensemble blend