Chained to the Rhythm Cover Image

Chained to the Rhythm: 2-Part Choral Octavo

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Chained to the Rhythm Cover Image

Chained to the Rhythm: 2-Part Choral Octavo

Words and music by Katy Perry, Max Martin, Sia Furler, Ali Payami, and Skip Marley / arr. Alan Billingsley

Item: 00-46738

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Description
Katy Perry impressed with this perky pop hit in 2017 at both the Grammys® and Brit Awards, joined on stage by Skip Marley for a short reggae-inspired feature. Singable, danceable, and undeniably catchy, here's the chart-climbing single arranged for all choirs. "Turn it up, it's your favorite song."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Chained to the Rhythm: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081531939
SKU: 00-46738

More about this title

About the Composer: Katy Perry

Katy Perry emerged as one of pop music's defining voices in the 2010s, known for crafting infectious hooks and anthemic production that dominate radio and streaming platforms. Her work across "Teenage Dream," "Firework," and "Chained to the Rhythm" demonstrates her skill at writing songs that combine pop sensibility with social consciousness, making her compositions natural fits for contemporary choral arrangements.

Why we love this

Alan Billingsley's arrangement captures the infectious energy and reggae-influenced groove of the original without sacrificing singability for a 2-part choir. The chart maintains the song's accessibility and contemporary appeal while offering real harmonic interest and rhythmic sophistication that keeps singers engaged. Audiences respond immediately to this tune, and your singers will feel the satisfaction of performing a current hit that carries actual musical substance.

What to expect

Bright, propulsive, and impossible to sit still through, this arrangement radiates the infectious positivity of the original. The reggae-influenced rhythmic backbone gives the piece a laid-back groove that contrasts perfectly with the driving pop hooks, creating a musical landscape that feels both relaxed and energetically propulsive. Your choir will feel like they're performing a festival-ready pop anthem rather than a choral exercise.

Who it's for

Choirs seeking contemporary repertoire that engages singers and audiences alike will find immediate success with this arrangement. It works equally well for mixed-age ensembles, youth choirs, and adult singers who appreciate current pop music presented with musical integrity. The 2-part voicing makes it accessible for developing singers while the arrangement's sophistication keeps experienced choirs interested.

How to get the most out of it

  • Lock in the reggae-influenced rhythm with your rhythm section first; once the groove sits solidly, the vocal lines will land with much greater impact.
  • Layer in the recorded accompaniment during rehearsals to help singers internalize the original groove and hook, then remove it gradually as confidence builds.
  • Shape the phrase "Turn it up, it's your favorite song" with dynamic lift each time it returns; this hook deserves a fresh energy every iteration.
  • Keep the overall tempo steady and energized; this song thrives on forward momentum and shouldn't drag or feel static.

How to use it

Program this alongside other contemporary pop arrangements to build a set that reflects what your singers listen to and what audiences crave. It works beautifully as an opener to immediately capture attention or as a show-closing moment that sends the crowd out buzzing. Consider pairing it with other upbeat secular titles to create a concert section that celebrates modern songwriting artistry.

Skills your students will build

  • Maintaining rhythmic precision in reggae-influenced grooves
  • Balancing contemporary pop phrasing with choral blend
  • Executing hook-driven melody lines with consistent energy
  • Responding to recorded accompaniment cues and tempos
  • Building ensemble cohesion around highly familiar material

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