Chained to the Rhythm Cover Image

Chained to the Rhythm: SATB Choral Octavo

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Chained to the Rhythm Cover Image

Chained to the Rhythm: SATB Choral Octavo

Words and music by Katy Perry, Max Martin, Sia Furler, Ali Payami, and Skip Marley / arr. Alan Billingsley

Item: 00-46427

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Description
Katy Perry impressed with this perky pop hit in 2017 at both the Grammys® and Brit Awards, joined on stage by Skip Marley for a short reggae-inspired feature. Singable, danceable, and undeniably catchy, here's the chart-climbing single arranged for all choirs. "Turn it up, it's your favorite song."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Chained to the Rhythm: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081528069
SKU: 00-46427

More about this title

About the Composer: Katy Perry

Katy Perry emerged as one of the defining pop voices of the 2010s, known for crafting anthemic, radio-friendly hits that balance infectious melodies with layered production. Her songwriting collaborations with producers like Max Martin and artists like Sia Furler created some of the decade's most memorable pop moments, blending pop sensibility with genre-crossing experiments that ranged from dance to reggae-influenced sounds.

In the classroom, Perry's work represents contemporary songwriting craft at its most accessible. Her melodies sit naturally in the voice, her lyrics connect with student singers, and her arrangements translate effectively to ensemble settings without losing the energy that made these songs chart successes.

Why we love this

Alan Billingsley's arrangement captures everything that made this track a Grammy and Brit Award moment while keeping the voicing singable across a wide range of choir levels. The reggae-inflected groove and infectious hook work just as well in four-part harmony as they do on the radio, and students will actually want to sing this.

What to expect

Irresistibly upbeat and rhythmically propulsive, with a reggae lilt that invites movement and keeps the energy sun-soaked and fun. The singable melody hooks immediately, and the four-part voicing allows harmonic depth underneath a track that never stops feeling like a celebration.

Who it's for

This arrangement works for choirs that want to program contemporary pop without sacrificing musicality or sophistication. It's equally effective in show choirs, concert choirs mixing classical and contemporary repertoire, and settings where student engagement and singability matter as much as traditional choral technique.

How to get the most out of it

  • Lock the rhythmic feel early in rehearsal. The syncopation and offbeat hits define the groove, so establish the pocket before worrying about blend.
  • Layer the parts gradually. Start with the melody and bass, then add inner voices so singers hear how their parts sit within the harmonic foundation.
  • Keep the energy conversational rather than aggressive. The song's charm comes from its easygoing swagger, not from oversinging.
  • Use the recorded accompaniment to internalize the production style and groove before rehearsing without it.

How to use it

Pair this with other contemporary pop arrangements to build a modern choral set, or use it as a concert closer that leaves audiences smiling. It works equally well in a program mixing genres as a brief, energizing palate cleanser between heavier classical works.

Skills your students will build

  • Syncopated rhythm reading and execution
  • Singing with groove and stylistic swing
  • Balancing contemporary pop production style with choir blend
  • Part independence while maintaining ensemble cohesion
  • Interpreting and performing contemporary songwriting for choir

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