Catharsis Cover Image

Catharsis: String Orchestra Conductor Score

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Catharsis Cover Image

Catharsis: String Orchestra Conductor Score

By Amy Cann / arr. Bob Phillips

Grade: 3

Item: 00-38427S

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Description
One of most popular contemporary fiddle tunes, many notable artists, including Natalie McMaster, have performed this piece. It is just a super cool tune with a compelling rhythmic drive that is, unexpectedly, set in G minor. This title is available in MakeMusic Cloud.

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 16
UPC: 038081441535
SKU: 00-38427S

More about this title

About the Composer: Amy Cann

Amy Cann is a composer and fiddler rooted in Canadian folk traditions. Her work draws deeply from the rhythmic and melodic language of fiddle music, translating acoustic traditions into arrangements that speak to contemporary ensemble players.

Why we love this

Catharsis captures what makes contemporary fiddle writing so compelling: infectious rhythmic momentum paired with harmonic choices that surprise. The minor key setting transforms what could be a straightforward folk tune into something with real emotional depth, and Bob Phillips's orchestration for strings gives it the weight and sophistication your ensemble needs to feel genuinely proud of their work.

What to expect

Catharsis pulls you in with relentless forward motion and a lilting rhythmic character that feels almost dance-like, even as the G minor tonality keeps it grounded and emotionally complex. The interplay between the melodic line and supporting figures creates a texture that's both transparent and full, rewarding careful listening as much as energetic performance.

Who it's for

String orchestras at the intermediate level who want to program contemporary folk material with real musicianship demands. This works equally well for concert programming or festival competition, giving your students access to a tune that's instantly recognizable and genuinely fun to play.

How to get the most out of it

  • Lock in the rhythmic drive early in rehearsal. This piece thrives on ensemble precision, so drill the main melodic figures and accompanying rhythms separately before combining them.
  • Balance the minor tonality carefully. Without overdoing the darkness, lean into the G minor character to give the piece its distinctive emotional signature; it's what separates this from standard folk arrangements.
  • Lean into the fiddle idiom in your phrasing. Although your orchestra is strings, think about the natural lilt and ornamentation that characterize the original tune; that style breathes life into the arrangement.

How to use it

This is an excellent mid-concert selection when you want to shift mood and energy without losing audience engagement. Its popularity among contemporary folk artists makes it accessible to listeners while still showcasing your orchestra's technical growth, and it pairs naturally with classical repertoire on either side of the program.

Skills your students will build

  • Reading compound meters and maintaining rhythmic integrity against folk-style phrasing
  • Playing in minor keys with harmonic awareness and expressive control
  • Balancing melody and accompaniment in a transparent orchestral texture
  • Applying stylistic knowledge of fiddle idiom to contemporary string writing

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