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Catharsis: String Orchestra Conductor Score & Parts

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Catharsis Cover Image

Catharsis: String Orchestra Conductor Score & Parts

By Amy Cann / arr. Bob Phillips

Grade: 3

Item: 00-38427

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Description
One of most popular contemporary fiddle tunes, many notable artists, including Natalie McMaster, have performed this piece. It is just a super cool tune with a compelling rhythmic drive that is, unexpectedly, set in G minor. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Catharsis: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 144
UPC: 038081441528
SKU: 00-38427

More about this title

About the Composer: Amy Cann

Amy Cann is a Canadian composer and fiddler deeply rooted in traditional and contemporary folk music. Her work bridges classical composition with the energy and storytelling of fiddle tradition, creating pieces that appeal to both trained musicians and folk audiences alike.

Cann's arrangements and compositions often celebrate the driving rhythmic character and modal richness of folk idioms, making her music particularly valuable for string programs seeking authentic contemporary repertoire that honors traditional sources.

Why we love this

Natalie McMaster's recording proved this tune has serious staying power, and Bob Phillips' arrangement captures exactly why: the rhythmic momentum is infectious without ever feeling forced. Programming this gives your orchestra a contemporary piece with real character, one that audiences recognize and musicians genuinely enjoy playing.

What to expect

Catharsis pulses with the natural drive of a fiddle tune while the G minor harmony adds unexpected depth and sophistication. There's an irresistible quality to the rhythmic momentum, something that makes both players and listeners want to move.

Who it's for

String orchestras at the intermediate level who want contemporary repertoire with genuine folk credibility. This works beautifully for programs mixing classical and popular traditions, or for directors building concerts around living composers.

How to get the most out of it

  • Keep the rhythmic pulse rock-solid throughout. The G minor tonality might suggest introspection, but the tune demands forward motion; any hesitation in the rhythm section will flatten the energy.
  • Balance the melody line so it sits clearly above the accompaniment. With fiddle tunes in orchestral dress, the tune itself is the star.
  • Let the minor key breathe without adding unnecessary darkness. This is folk music, not a funeral march; maintain lightness in the articulation and bow contact.

How to use it

Pair this with other folk-influenced arrangements for a concert theme exploring how traditional music shapes contemporary composition. It also stands alone brilliantly as a concert opener or closer, giving audiences an immediate sense of joy and accessibility.

Skills your students will build

  • Maintaining rhythmic precision in 4/4 at a driving tempo
  • Recognizing and performing modal harmonies (G minor) with authentic folk character
  • Balancing accompaniment texture so melody emerges clearly
  • Articulation and bow control that honors folk idiom within orchestra setting
  • Reading and responding to the rhythmic energy of contemporary folk-influenced writing

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