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Catchy Song: Choral SoundTrax CD

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Catchy Song: Choral SoundTrax CD

from The LEGO® Movie 2: The Second Part

Words and music by Jon Lajoie, Dillon Francis, James Rushent and Alaya High / arr. Andy Beck

Item: 00-47964

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Description
Warning: "This song's gonna get stuck inside your head!" This ultimate earworm from the Warner Bros. computer-animated adventure comedy The LEGO® Movie 2: The Second Part pretty much guarantees giggles with its zany lyrics, more-than-memorable tune, and techno-pop rhythms. We dare you to sit still, challenge you not to smile, and bet you'll be singing this long after the final blast. So easy to learn---with just a couple of repeated choral riffs and enough spoken solos to feature several of your best rappers.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081549408
SKU: 00-47964

More about this title

About the Composer: Jon Lajoie

Jon Lajoie is a Canadian comedian, musician, and producer known for blending humor with infectious pop sensibilities. His work across film and television consistently targets the absurd, pairing clever lyrics with instantly memorable melodies that appeal to both kids and adults.

Why we love this

Andy Beck's arrangement strips away production complexity while keeping the infectious energy and humor completely intact. The spoken solo sections give your rappers and comedic performers real moments to shine, and the repeated riffs make learning effortless even for less experienced singers. Audiences will recognize it immediately and laugh before you've finished the first verse.

What to expect

Pure joy wrapped in a pop-music package. The song is unapologetically silly, with rhythms that make you want to move and lyrics designed to stick in your brain for days. There's a lightness and playfulness throughout that invites audiences to lean in and smile.

Who it's for

Choirs of any ability level that want high-impact fun without technical overload. The piece works equally well in a school setting where you need something accessible, or in a community ensemble where novelty and recognizability matter more than vocal challenge.

How to get the most out of it

  • Let the spoken soloists own their moments. They're not just accompaniment to the singing; they're the comedic engine. Rehearse these sections with as much personality and timing precision as you'd give a dramatic scene.
  • Keep the rhythmic energy propulsive throughout. The techno-pop pulse should feel inevitable, not forced. Lock the choir into the groove early so they can focus on diction and character.
  • Nail the diction on the "zany lyrics" so the humor lands. Muddy consonants will kill the laughs. Spend rehearsal time on clarity, especially in the rapid sections.
  • Use the recorded accompaniment to establish the exact energy and groove you're after, then gradually move away from it in performance so your singers feel confident owning the arrangement.

How to use it

Program this as a closer or a second-to-last number when you want to send the audience out smiling. It pairs well on a concert where you're balancing heavier repertoire with something that guarantees engagement and laughter. Also consider using it as a showcase piece early in the year when you're building ensemble cohesion and confidence.

Skills your students will build

  • Rhythmic precision in syncopated pop idioms
  • Solo performance and comedic timing
  • Memorization and recall of simple, repeated musical phrases
  • Pronunciation clarity in rapid, text-driven passages
  • Groove-based ensemble singing and rhythmic unity

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