Cantate Domino Cover Image

Cantate Domino: Choral Octavo SoundTrax CD

$27.99 USD
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Cantate Domino Cover Image

Cantate Domino: Choral Octavo SoundTrax CD

Music by Brian Lewis

Item: 00-23074

$27.99
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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081222561
SKU: 00-23074

More about this title

About the Composer: Brian Lewis

Brian Lewis

Brian Lewis studied composition at Baldwin-Wallace Conservatory in Berea, Ohio, before pursuing conducting and music education credentials at Western Michigan University. His training in both composition and conducting shaped a practical approach to choral writing. After years teaching in Michigan public schools, Lewis expanded his skills through the USC Scoring for Motion Pictures and Television program, bringing cinematic sensibility to his concert works. He served as composer in residence at Portage Northern High School, where his commissioned choral work Sanctus received its premiere performance.

Why we love this

Lewis writes for singers with genuine understanding of what works in a school or community choir setting. The combination of accessible writing and sacred substance means you're not choosing between musicality and singability. A recorded accompaniment included here removes the barrier of finding a capable pianist, letting you focus entirely on the choir's interpretation.

What to expect

The sacred text grounds the piece in reverent character while the music remains direct and singable. Lewis's background in film scoring brings shape and momentum to the harmonic language, making the work feel contemporary without sacrificing clarity.

Who it's for

School and community choirs at intermediate to advanced levels will find this work both accessible and rewarding. Directors seeking repertoire with recorded accompaniment support will appreciate the flexibility this provides for rehearsals and performances.

How to get the most out of it

  • Balance the recorded accompaniment carefully during rehearsal so singers hear themselves clearly. Use a volume level that supports rather than covers the choir.
  • Mark breath points together before relying on the recording, so your singers own the phrasing rather than simply following.
  • Test the accompaniment playback on your actual sound system well before the performance to confirm clarity and balance in your performance space.

How to use it

This works well as a concert opener or closer in a mixed sacred program, providing musical substance without requiring elaborate staging. It pairs effectively with other contemporary choral works or as a strong anchor piece when your accompanist availability is limited.

Skills your students will build

  • Sustaining focus while singing with recorded accompaniment
  • Unified diction and blend in a sacred context
  • Awareness of phrase architecture across longer line structures

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