¡Cantar! (Sing!) Cover Image

¡Cantar! (Sing!): SATB Choral Octavo

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¡Cantar! (Sing!) Cover Image

¡Cantar! (Sing!): SATB Choral Octavo

Words and music by Jay Althouse

Item: 00-19309

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Description
"¡Cantar!" is a stylistically authentic salsa work for choir. The text is a combination of English and simple, repetitive Spanish phrases set to a rhythmically infectious melody. Enjoy this #1 seller! Sizzling!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, ¡Cantar! (Sing!): SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081179544
SKU: 00-19309

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. His career in music publishing gave him eight years of experience in rights and licensing, including a term on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 choral works performed across the English-speaking world and is a writer member of ASCAP, a regular recipient of the ASCAP Special Award.

Beyond composition, Althouse has co-created children's musicals with his wife Sally K. Albrecht, compiled and edited influential vocal solo collections, and authored widely used classroom resources including The Complete Choral Warm-up Book, Accent on Composers, Ready to Read Music, and Sixty Music Quizzes. His choral work "I Hear America Singing," co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 inauguration. He serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

Althouse delivers genuine salsa authenticity here, not a watered-down approximation. The bilingual text and infectious rhythmic drive make this irresistible in performance, and singers genuinely enjoy the energy required to bring it off. It's a proven crowd-pleaser that programs beautifully as a concert closer or as part of a multicultural theme.

What to expect

Sizzling and immediate. The rhythmically driving melody and the mix of English and Spanish create an irresistible groove that pulls singers and listeners into the dance. You feel the heat of authentic salsa without the complexity of more demanding Latin repertoire.

Who it's for

Choirs at all levels who want a high-energy piece that connects audiences immediately. Directors seeking a authentic Latin sound without requiring extensive cultural preparation will appreciate Althouse's straightforward, singable writing. This works equally well in middle school, high school, college, and community choir contexts.

How to get the most out of it

  • Lock the syncopated rhythmic figures in the ensemble before worrying about blend; salsa lives in the groove, and rhythmic precision creates the pocket.
  • Keep the Spanish phrases light and conversational rather than operatic. Althouse's text repetition works only if singers commit to the natural, rhythmic delivery.
  • Balance the recorded accompaniment so it anchors the rhythm section without burying the choir; the percussion and bass drive the energy, and singers need to sit comfortably behind them.
  • Work the dynamics to build the infectious feel. The song gains momentum through repetition, so use dynamic contrast to lift energy each time a phrase or section repeats.

How to use it

Close a concert with this and watch the audience respond instantly. It pairs naturally with other multicultural or secular repertoire and works equally well as a program anchor or as part of a thematic set exploring world music traditions. The recorded accompaniment makes it practical for festivals or competitions where live accompaniment isn't available.

Skills your students will build

  • Singing syncopated rhythms with precision
  • Diction in Spanish and English text
  • Rhythmic cohesion in a non-traditional harmonic context
  • Ensemble blend across syncopated, energetic material
  • Interpreting and performing Latin stylistic gestures

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