But the World Goes 'Round: SAB Choral Octavo

Mark Hayes's arrangement transforms this Kander and Ebb gem into a showstopper that actually works for SAB ensembles without sacrificing the song's sarcastic wisdom or rhythmic swagger. The brass-inflected voicing and syncopated swing feel give choirs a genuine taste of Broadway authenticity, and the emotional arc from reflective verse to full-throttle finale keeps audiences engaged.

Broadway glamour meets philosophical resignation. The song pairs jazzy, energetic accompaniment with lyrics that acknowledge life's ups and downs, creating a bittersweet tension that feels sophisticated without being precious. It's the kind of piece that makes singers smile during rehearsal and audiences lean forward in their seats.

Choirs comfortable with syncopation and swing feel, from high school to community ensembles. This arrangement requires solid vocal control and rhythmic independence, particularly in the lower voices, but the three-part voicing keeps it accessible for groups with smaller tenor sections.

• Nail the rhythmic precision in the swing sections; loose or dragging syncopation undercuts the arrangement's punch. Lock the rhythm section (piano and bass if you have instrumental parts) before adding voices.
• Balance the spotlight chorus so the unison moments land with impact. Too much vibrato diffuses the clarity you need in those razzmatazz sections.
• Shape the phrase "but the world goes round" as the emotional anchor. This refrain appears repeatedly and deserves fresh dynamic shaping each time to build meaning.

Program this as a concert closer or as the centerpiece of a Broadway-themed set. It pairs well with other Kander and Ebb standards or with contemporary jazz-influenced choral writing. The upbeat character and emotional accessibility make it especially effective late in a show, when audiences are primed for something that's equal parts fun and meaningful.

• Swing rhythm and syncopation
• Balancing transparency in three-part voicing
• Dynamic control in spotlight unison passages
• Stylistic authenticity in jazz-inflected choral writing