But the World Goes 'Round Cover Image

But the World Goes 'Round: Choral SoundPax

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But the World Goes 'Round Cover Image

But the World Goes 'Round: Choral SoundPax

Lyrics by Fred Ebb, music by John Kander / arr. Mark Hayes

Item: 00-51235

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Description
Most notably performed by Liza Minnelli, this Kander & Ebb classic returned to Broadway in the musical New York, New York. Mark's razzmatazz arrangement is a bonafide blockbuster, with showbiz sonorities, hard-hitting swing feel, and full-throttle emotions at the spotlight chorus. "Sometimes you're happy, and sometimes you're sad, but the world goes round."

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081582726
SKU: 00-51235

More about this title

About the Composer: John Kander

John Kander's career spans five decades of Broadway composition, beginning with his 1960s collaborations with lyricist Fred Ebb. Together they created some of musical theater's most enduring scores, including Cabaret, Chicago, and Zorba. Kander's gift for blending jazz idioms with theatrical storytelling made him a defining voice in the American musical, and his music continues to anchor countless choral and educational arrangements.

Why we love this

Mark Hayes's arrangement captures the defiant optimism of Kander and Ebb's original, using smart voicing and rhythmic punch to make this standard sing in a choral setting. The swing feel and Broadway flair give your singers genuine performance energy without requiring a pit band, and the emotional arc of the lyric lands just as hard in a concert hall as it does on stage.

What to expect

Bright, knowing, and resilient. The arrangement channels the spirit of a seasoned performer who's seen ups and downs but refuses to let the world get them down. It pulses with showbiz confidence and warmth, driven by a groove that feels lived-in rather than academic.

Who it's for

Choirs seeking a Broadway standard with genuine theatrical flair and a swinging jazz edge. This works equally well for concert choirs, show choirs, and advanced high school or community ensembles that want to program something recognizable with real musicianship demands.

How to get the most out of it

  • Lock the rhythmic precision during the swing sections. This arrangement's punch depends on the ensemble moving as one unit through the syncopated figures.
  • Dig into the character and storytelling of the lyric. The philosophy behind the words should drive phrasing and dynamic choices, especially at the spotlight chorus.
  • Balance the jazz sonorities clearly; the arrangement relies on sectional independence to create the full "razzmatazz" sound without muddiness.
  • Take advantage of the recorded accompaniment to internalize the swing feel before rehearsing unaccompanied, especially if your singers are less familiar with this style.

How to use it

Program this as a centerpiece for a jazz or Broadway concert, or pair it with other Kander and Ebb standards for a revue-style evening. It also works beautifully as a concert opener or closer, offering the kind of lift and familiarity that draws audiences in immediately.

Skills your students will build

  • Swing rhythms and syncopation
  • Jazz phrasing and articulation
  • Sectional independence in arranged textures
  • Emotional storytelling through character work
  • Balance and blend in syncopated harmony

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