But the World Goes 'Round Cover Image

But the World Goes 'Round: Choral Octavo SoundTrax CD

$29.99 USD
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But the World Goes 'Round Cover Image

But the World Goes 'Round: Choral Octavo SoundTrax CD

Lyrics by Fred Ebb, music by John Kander / arr. Mark Hayes

Item: 00-51234

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Description
Most notably performed by Liza Minnelli, this Kander & Ebb classic returned to Broadway in the musical New York, New York. Mark's razzmatazz arrangement is a bonafide blockbuster, with showbiz sonorities, hard-hitting swing feel, and full-throttle emotions at the spotlight chorus. "Sometimes you're happy, and sometimes you're sad, but the world goes round."

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081582719
SKU: 00-51234

More about this title

About the Composer: John Kander

John Kander has shaped American musical theater across six decades, earning Tony Awards and Grammy recognition for his work on Broadway's most celebrated shows. Collaborating primarily with lyricist Fred Ebb, Kander created the scores for Cabaret, Chicago, and Zorba, establishing himself as a master of character-driven songwriting and sophisticated orchestration.

Why we love this

Mark Hayes brings authentic Broadway swagger to this Kander and Ebb standard, delivering an arrangement that swings hard without losing the song's emotional core. The recorded accompaniment lets choirs nail the feel immediately, and the infectious optimism of the hook makes this a guaranteed audience favorite that works equally well in spring concerts or end-of-year celebrations.

What to expect

Sleek, confident, and radiating the glamour of a Times Square stage. The arrangement wraps you in lush harmonies and propulsive swing rhythms that feel both nostalgic and immediately alive, capturing the bittersweet wisdom at the heart of Kander's lyric.

Who it's for

Choirs seeking concert repertoire that combines showstopping energy with genuine musicality will find this Mark Hayes arrangement accessible yet satisfying. The piece works for intermediate to advanced ensembles ready to tackle jazz articulation and coordinate closely with a recorded accompaniment.

How to get the most out of it

  • Study the recorded accompaniment closely to internalize the swing articulation; the rhythm section drives the groove, and your singers need to sit comfortably behind the beat rather than pushing ahead of it.
  • Balance the voicing so the melody soars at the spotlight chorus without drowning the inner harmony parts, which carry much of the harmonic richness.
  • Lean into the emotional contrast between the verse's introspective moments and the explosive energy of the refrain; this tonal shift is what gives the arrangement its theatrical punch.

How to use it

This pairs beautifully alongside other jazz standards or contemporary pop arrangements in a concert celebrating Broadway's influence on choral music. Its optimistic message and theatrical flair make it ideal for spring concerts, senior night celebrations, or any program that calls for a high-energy closer.

Skills your students will build

  • Swing articulation and rhythmic nuance in jazz contexts
  • Blending voices while maintaining stylistic clarity in ensemble textures
  • Coordinate with recorded accompaniment tracks and lock to a specific tempo and groove
  • Emotional storytelling within a character-driven pop standard

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