Bushwhacker Stomp: String Orchestra Conductor Score & Parts

Sharp's approach to differentiation here is genuinely clever. By writing separate melody and harmony parts for cellos and basses that work equally well with the same piece, he gives you flexibility to cast according to ability rather than forcing all lower strings into the same role. The fiddle tune itself has character without being precious, and that signature chromatic slide catches everyone's ear.

Bushwhacker Stomp captures the energy and directness of traditional fiddle music. That chromatic slide gives it a folksy, slightly cheeky character, and the rhythmic drive pushes the piece forward with infectious momentum.

String orchestras at the early intermediate level looking for repertoire that works for mixed-ability sections. Ensembles preparing for festival or contest seasons will find a crowd-pleasing piece that's quick to learn without sacrificing musicality.

• Isolate the chromatic D-sharp to E slide in cello and bass before full rehearsal; have students practice the finger placement on open strings first, then add the slide at tempo.
• Let your advancing cellists and bassists own the melody parts. Their preparation sets the rhythmic and stylistic foundation for the whole group.
• Balance the lower strings carefully during tutti sections. If melody players overshadow harmony, the piece loses its fiddle tune swagger.

Program this as an upbeat contrast to more lyrical repertoire in a full concert. Its accessibility and novelty appeal also make it an excellent choice for young players encountering their first festival experience.

• Chromatic finger slides (D-sharp to E)
• Part independence between melody and harmony lines
• Stylistic approach to fiddle tune articulation and phrasing
• Playing in ensemble with differentiated parts at the same difficulty level