Bushwhacker Stomp Cover Image

Bushwhacker Stomp: String Orchestra Conductor Score

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Bushwhacker Stomp Cover Image

Bushwhacker Stomp: String Orchestra Conductor Score

By Keith Sharp

Grade: 2

Item: 98-ST6075S

$5.00
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Description
Featuring a chromatic first-finger slide from D-sharp to E, this simple fiddle tune is sure to be a huge favorite with your students! The cello and double bass parts are divided into melody and harmony, the melody being the more difficult of the two. Directors can thus keep their advanced students busy while also encouraging lesser developed musicians with the same piece. Ideal for real-world situations!

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Additional Details
Series: FJH Developing Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444547106
SKU: 98-ST6075S

More about this title

About the Composer: Keith Sharp

Keith Sharp

Keith Sharp has served as a string educator in Brisbane's regional schools since 1985, moving to Brisbane State High School in 2012 where he built a program centered on ensemble and group instruction. His work as a composer focuses on writing engaging, accessible pieces for young string players, with numerous compositions now performed internationally.

Sharp holds a Bachelor of Music Degree and a Graduate Diploma of Further Education. He has received the Ryan Recognition and Campbell Newman "Can Do, Educator of the Year" awards, and earned national recognition through the AUSTA State Award for Queensland in 2012. Beyond the classroom, he serves as a guest clinician, composer, and conductor at schools, music camps, and workshops. He is co-author of the Encore on Strings: Music Maestros beginner series and has had many of his educational ensemble pieces designated as "Editor's Choice" in the J.W. Pepper Orchestral Music Catalog.

Why we love this

Sharp has built this piece around a single, memorable technical moment—the chromatic slide from D-sharp to E—that gives every student something concrete to master and celebrate. The divided cello and bass parts offer genuine differentiation without requiring two separate arrangements; your advanced players engage with the melodic line while developing musicians find success with the harmony part, all performing the same piece in the same rehearsal.

What to expect

A rollicking, lighthearted fiddle tune with enough character to keep young musicians interested and enough rhythmic drive to feel like real music-making rather than a drill. The chromatic slide adds a touch of seasoned fiddler flair without demanding advanced technique, giving students a taste of authentic string tradition.

Who it's for

Grade 2 string orchestras and mixed-level ensembles looking for genuine crowd-pleasing repertoire with built-in differentiation. This works equally well for concert performance and informal student showcases where the novelty style and accessible technical demands keep engagement high across the ensemble.

How to get the most out of it

  • Isolate the D-sharp to E slide in rehearsal before running the full piece. Have students practice the finger placement and smooth motion in small sections, then gradually expand the context.
  • Balance the divided cello and bass parts so the harmony line stays audible. If the melody dominates, the harmonic foundation loses clarity and the piece loses its shape.
  • Keep the tempo lifted and energetic. A fiddle tune thrives on forward motion and rhythmic clarity; sluggish tempos flatten the character and drain the fun.
  • Encourage vibrato restraint in younger players during the faster passages. A steady, centered tone carries the fiddle tune idiom better than early or excessive vibrato.

How to use it

Program this early in a concert to set an upbeat tone, or use it as a palate cleanser between more substantial works. It pairs naturally with other folk-inspired or novelty pieces and gives your ensemble a chance to show personality and ensemble cohesion without heavy technical or interpretive demands.

Skills your students will build

  • Chromatic sliding technique (D-sharp to E)
  • Part independence in divided sections (melody versus harmony)
  • Rhythmic precision and ensemble alignment in fiddle tune style
  • Dynamic control and balance within a multi-part texture
  • Playing with energy and character in a light, folk-inspired idiom

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