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Buenaventura: Concert Band Conductor Score

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Buenaventura: Concert Band Conductor Score

By Steve Hodges

Grade: 3.5 (Medium)

Item: 00-24672S

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Description
Here is a high-powered piece that will provide your band with an excellent ventura! Featuring fast Latin percussion, lots of driving syncopations and even a short jazz section, your band will want to play this tune again and again. A great selection to close a concert or contest!

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 32
UPC: 038081276748
SKU: 00-24672S

More about this title

About the Composer: Steve Hodges

Steve Hodges

Steve Hodges brings four decades of ensemble directing experience to his compositional voice. He studied music education at Western Oregon University and Central Washington University, then spent his career conducting bands, choirs, and small ensembles across multiple school districts before retiring from public school music education.

Since 1986, Hodges has composed over 120 works for concert band published by Alfred Music, along with choral arrangements for Staff Music and Shawnee Press. His pieces have been performed internationally at festivals and state conventions, programmed by honor bands and commissioned by schools in Virginia, Iowa, Winnipeg, British Columbia, and the Pacific Northwest. His catalog has also reached broadcast audiences through TBS and ESPN television networks. As an ASCAP member, Hodges continues to support community music from his home in The Dalles, Oregon, watching his own grandchildren discover his music in their school band programs.

Why we love this

Buenaventura delivers immediate energy without requiring virtuosic chops from your ensemble. The syncopated rhythmic drive and authentic Latin percussion writing create forward momentum that younger players find both motivating and achievable, while the jazz section adds harmonic color and stylistic variety that keeps the piece engaging across rehearsals and performances.

What to expect

Buenaventura pulses with infectious Latin swing, driven by propulsive syncopations and energetic percussion writing that keeps the band engaged from downbeat to final note. The piece shifts gears into a jazz-inflected section that adds harmonic sophistication and a more relaxed, conversational feel before returning to the high-octane opening energy.

Who it's for

Band directors working with upper-middle school and early high school ensembles who want to program contemporary concert music with immediate stylistic appeal. The Grade 3.5 level makes it accessible without feeling simplistic, and students respond to the Latin and jazz vocabulary because it connects to music they hear outside the concert hall.

How to get the most out of it

  • Lock the rhythm section into the syncopated groove during early rehearsals; once your percussion and low brass establish the pocket, upper voices will fall into place more naturally.
  • Keep the Latin percussion crisp and defined throughout. Those timbales, congas, and cowbells are melodic partners here, not accompaniment, so give them the attention they deserve in the mix.
  • Shape the jazz section with dynamic flexibility. Allow soloists room to breathe, and let the harmonic progressions unfold with slight rubato rather than metronomic precision.
  • Use the fast articulation passages as a tuning opportunity. The quick sixteenth-note runs expose intonation issues, so isolate those sections by register and lock them in before moving forward.

How to use it

Program this as a concert closer or opening salvo at a festival. The contemporary idiom and rhythmic vitality make it an excellent bridge between traditional concert repertoire and the styles your students encounter in popular music, and the contest-friendly difficulty level pairs well with more challenging classical selections in a full program.

Skills your students will build

  • Reading and executing syncopated rhythmic patterns across multiple instrumental lines
  • Maintaining steady time in Latin and jazz grooves while part-writing moves independently
  • Articulating rapid sixteenth-note passages with clarity and precision
  • Blending and balancing percussion instruments that function as melodic partners, not accompaniment
  • Adapting tone and phrasing between Latin, swing, and ballad sections within a single piece

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