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Buenaventura: Concert Band Conductor Score & Parts

$78.00 USD
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Buenaventura Cover Image

Buenaventura: Concert Band Conductor Score & Parts

By Steve Hodges

Grade: 3.5 (Medium)

Item: 00-24672

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Description
Here is a high-powered piece that will provide your band with an excellent ventura! Featuring fast Latin percussion, lots of driving syncopations and even a short jazz section, your band will want to play this tune again and again. A great selection to close a concert or contest!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Buenaventura: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 292
UPC: 038081276731
SKU: 00-24672

More about this title

About the Composer: Steve Hodges

Steve Hodges

Steve Hodges holds degrees from Western Oregon University (Bachelor of Science) and Central Washington University (Master of Music Education). He spent four decades in public school music education, directing concert bands, choirs, and chamber ensembles at every level before retiring from the classroom.

Since 1986, Hodges has composed over 120 works for concert band published by Alfred Music, along with choral arrangements through Staff Music and Shawnee Press. His compositions appear regularly at state conventions, festivals, and honor band programs across North America, and his music has been featured on TBS and ESPN programming. Hodges holds membership in ASCAP and has received multiple standard awards for his contributions to music education. He lives in The Dalles, Oregon, and takes particular joy in hearing his grandchildren perform his pieces in their school bands.

Why we love this

Hodges writes with a clear understanding of what keeps a concert band engaged and energized. The Latin percussion and syncopated rhythms give every section something compelling to play, while the jazz interlude offers a stylistic shift that feels fresh without requiring advanced harmonic reading. This piece closes a concert with unmistakable excitement, making it equally effective as a festival selection.

What to expect

Buenaventura pulses with heat and forward motion. The Latin percussion ignites immediately, and the syncopated lines throughout the band create a propulsive, almost restless energy that feels contemporary and fun. When the jazz section arrives, the momentum shifts into something looser and more exploratory, before building back to a finish that leaves no doubt about the band's joy in playing.

Who it's for

This arrangement suits concert bands at the 3.5 grade level and strong programs looking to program with confidence in either concert or contest contexts. Experienced directors appreciate Hodges' clarity of texture and his gift for keeping every player engaged without overwriting the arrangement. Programs seeking a closer that leaves an audience energized will find this piece delivers exactly that.

How to get the most out of it

  • Lock the rhythm section into the Latin groove early in rehearsal; the syncopations drive the entire arrangement, so secure that foundation before layering melodic elements.
  • Emphasize the articulation contrast between the driving sections and the jazz passage; this shift in character will keep the band engaged and help the audience follow the arc.
  • Balance the Latin percussion so it sits as a primary voice rather than accompaniment; these colors are what give the piece its character and should punch through the band sound.
  • Prepare the full ensemble for the energy curve; this piece demands consistent power and control from top to bottom, so build stamina in rehearsal through targeted sectional work.

How to use it

Program this as your closing number when you want to send an audience out smiling. It pairs beautifully with a concert that mixes standard band repertoire with contemporary selections, offering stylistic breadth without requiring extended rehearsal time. The piece also carries the energy and appeal that contest audiences reward, making it a solid choice for festival programming when you want your final impression to be one of vitality and control.

Skills your students will build

  • Maintaining precision in syncopated rhythmic figures across all sections
  • Balancing Latin percussion textures so they project as primary voices
  • Shifting articulation and style between Latin and jazz sections
  • Sustaining energy and dynamics in fast-moving, rhythmically active passages
  • Listening for and locking into a steady rhythmic groove with the rhythm section

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