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Bringers of Noise: TB Choral Octavo

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Bringers of Noise Cover Image

Bringers of Noise: TB Choral Octavo

Words and music by Kyle Pederson

Item: 00-48324

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Description
Here's a dramatic detour into choral theater! Using a fictional language from an imaginary oracle, this exceptional piece effectively combines narration, rhythmic chanting, singing, and percussion to create an atmosphere of awe and mystery. A selection that your audience will be talking about for weeks afterward, and your singers will never forget. Also available: an epic accompaniment track (orchestrated by Ruben Reyes), as a free download here.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Bringers of Noise: TB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 16
UPC: 038081551470
SKU: 00-48324

More about this title

About the Composer: Kyle Pederson

Kyle Pederson

Kyle Pederson composes and writes lyrics from Minneapolis, working across sacred and secular idioms with a consistent aim: inviting choirs and audiences to become forces for hope, compassion, and grace. His music has earned major recognition, including the American Prize in Choral Composition (2019) and the ACDA Genesis Prize (2020), reflecting his distinctive voice in contemporary choral writing.

Pederson holds degrees from Augustana University, the University of St. Thomas (Master's in Education), and Vermont College of Fine Arts (MFA in Music Composition). His compositions and additional resources are available at kylepederson.com.

Why we love this

This piece dares your singers to embrace theatrical physicality and vocal risk in a way most octavos never demand. The fusion of narration, rhythmic chanting, conventional singing, and percussion creates something genuinely unforgettable for both choir and audience; it's the kind of selection that builds ensemble courage and stays with people long after the final note.

What to expect

Bringers of Noise unfolds like a ritual summoning, layering spoken prophecy, rhythmic incantation, and harmonic singing into something simultaneously ancient and unsettling. The atmosphere builds from mystery toward awe, with the fictional language anchoring listeners in an imaginary world that feels eerily real.

Who it's for

This octavo speaks to treble and tenor/bass choirs ready to explore choral theater and unfamiliar territory. It's ideal for ensembles with vocal confidence, access to percussion, and directors willing to challenge singers beyond traditional concert singing.

How to get the most out of it

  • Treat the fictional language as rhythmic material first. Clarity of articulation in the chanted sections matters more than perfect pronunciation; your singers should feel the words as percussion, not fret over accuracy.
  • Assign the narration strategically. This role anchors the piece theatrically; choose a singer with confidence in spoken delivery and the ability to command attention without overwhelming the ensemble.
  • Balance the percussion parts carefully during rehearsal. These aren't decorative; they're structural. Make sure percussionists lock in with the vocal rhythmic sections so the "noise" feels intentional rather than chaotic.
  • Experiment with staging and physical positioning. The piece invites movement and spatial awareness; blocking that mirrors the building intensity will enhance the sense of mystery and awe.

How to use it

This is a show-stopper that works best as a concert centerpiece or festival selection where its theatrical scope can breathe. Consider pairing it with more traditional repertoire to create dynamic contrast, or program it in a thematic concert exploring ritual, mythology, or contemporary choral innovation.

Skills your students will build

  • Rhythmic precision in unison and unmetered chanting
  • Coordination between sung sections and percussion accompaniment
  • Spoken word delivery and narration within a choral context
  • Ensemble confidence in unfamiliar musical language and theatrical interpretation
  • Building and sustaining dramatic tension across extended formal structures

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