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Bone-a-fied: Concert Band Conductor Score & Parts

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Bone-a-fied: Concert Band Conductor Score & Parts

By Robert Sheldon

Grade: 2

Item: 00-50389

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Description
Bone-a-fied, by Robert Sheldon, is a delightfully quirky novelty that features jazz and rock harmonies, solos for three of your star players, and (of course) a trombone part that is really fun to play. The resulting piece is a fusion of Calypso, soul, and rhythm & blues that is sure to get an enthusiastic response.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Bone-a-fied: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations Series for Band
Publisher: Alfred Music
ISBN10: 1-4706-8106-4
ISBN13: 978-1-4706-8106-7
UPC: 038081605524
SKU: 00-50389

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon stands among the most frequently performed composers writing for wind band today. His works appear regularly on state and national contest lists, and his commissions span concert halls from Carnegie Hall to the Sydney Opera House. He has received recognition from the American School Band Director's Association, Phi Beta Mu, and ASCAP, and earned an honorary doctorate from VanderCook College of Music in 2020.

Beyond composition, Sheldon shaped wind band pedagogy as lead author of Sound Innovations for Concert Band. He maintains an active schedule as guest conductor for All-State and regional honor bands, and has presented clinics and seminars at universities and state music education conferences across the United States and internationally, including appearances in Japan, Canada, Italy, Germany, Australia, and China.

Why we love this

Sheldon knows exactly how to write for high school bands without sacrificing sophistication. The fusion of calypso, soul, and rhythm and blues creates a piece that engages both players and audiences, while the solos for three different players mean you can highlight strength across your section. Grade 2 accessibility paired with genuine style makes this a smart program choice for festival or concert.

What to expect

A sunny, irreverent piece that moves between laid-back grooves and spirited rhythmic energy. The writing is witty without being condescending, and the blend of calypso, soul, and R&B creates a sound that feels fresh and accessible. Your band will have fun playing it, and your audience will leave smiling.

Who it's for

Concert bands at the Grade 2 level who want to program something with genuine personality and broad appeal. The solos make it ideal for showcasing individual players, and the novelty style gives less experienced ensembles permission to be expressive and loose. This works equally well for festival competition or concert programming.

How to get the most out of it

  • Lean into the swing feel during the jazz sections; this isn't straight eighth notes. A relaxed, grooving pulse keeps the energy alive.
  • Give the trombone solo space to breathe and shine. This is Sheldon's playful nod to the instrument, so let your soloist have fun with it.
  • Balance the rhythm section carefully so the soul and R&B harmonies read clearly without overwhelming the melody.

How to use it

Program this as a standalone feature or as an energetic contrast to more substantial repertoire on the same concert. Its novelty style and upbeat character make it an excellent opening number or a closing piece that leaves the audience in a good mood. The multiple solos also give you flexibility if you want to spotlight different players across performances.

Skills your students will build

  • Jazz articulation and phrasing in ensemble context
  • Reading and executing swing rhythms
  • Solo performance confidence and expression
  • Groove-based ensemble balance and rhythmic cohesion
  • Style variety within a single piece (calypso, soul, R&B idioms)

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