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Bone-a-fied: HybridNOW Concert Band Conductor Score & Parts

$75.00 USD
Sale price  $75.00 USD Regular price 
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Bone-a-fied Cover Image

Bone-a-fied: HybridNOW Concert Band Conductor Score & Parts

By Robert Sheldon

Grade: 2

Item: 00-50389H

$75.00
HybridNOW

Included with this title

  • Digital music NOW — instant access to the full performance set
  • Permission to COPY all parts as needed
  • Additional PRINT score delivered separately by mail
Description
Bone-a-fied, by Robert Sheldon, is a delightfully quirky novelty that features jazz and rock harmonies, solos for three of your star players, and (of course) a trombone part that is really fun to play. The resulting piece is a fusion of Calypso, soul, and rhythm & blues that is sure to get an enthusiastic response.

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Additional Details
Series: Sound Innovations Series for Band
Publisher: Alfred Music
ISBN10: 1-4706-8703-8
ISBN13: 978-1-4706-8703-8
UPC: 038081620961
SKU: 00-50389H

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon ranks among today's most widely performed composers of wind band music. His works appear regularly on festival and contest programs internationally, and his compositions have earned recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. Beyond his prolific output as a composer, Sheldon co-authored the Sound Innovations curriculum and maintains an active schedule as a guest conductor for honor bands and a clinician at universities and state music education conferences.

His music has been performed at Carnegie Hall, Boston Symphony Hall, the Kennedy Center, and the Sydney Opera House. Sheldon has conducted and presented workshops across the United States, Japan, Canada, Italy, Germany, Australia, and China. In 2020, VanderCook College of Music bestowed upon him an honorary doctorate in recognition of his significant contributions to music education and composition.

Why we love this

Sheldon captures the feel of a novelty number without relying on gimmicks or empty humor. The jazz and R&B harmonic language gives your young musicians something genuine to navigate, the three featured solos create real incentive for section development, and that trombone writing is the kind that makes players actually want to come to rehearsal.

What to expect

Infectious and laid-back, with the easy confidence of a jam session. Calypso rhythms float over soul and R&B harmonies that feel current and energetic without demanding virtuosity.

Who it's for

Grade 2 bands ready for something beyond straight concert fare, especially those with standout soloists in the brass section. It works well for groups developing jazz sensibility and rhythmic nuance without needing advanced sight-reading skills.

How to get the most out of it

  • Feature the three soloists in sectional rehearsals before full ensemble work. Their parts carry the melodic weight, so make sure each player owns their role before integrating with the ensemble.
  • Lock the rhythm section into the Calypso and soul feels early. These styles need rhythmic pocket work, so isolate your trombone, euphonium, and tuba section to dial in the groove.
  • Let the quirky character breathe. Resist over-rehearsing into perfection; this piece thrives when players feel the fun of the fusion and play with rhythmic freedom.
  • Balance the R&B sections with clear articulation from the whole band. When the harmonic language gets funkier, cleaner tonguing makes the chords land with more punch.

How to use it

Pair this with your concert opener or place it in the second half to shift the mood and energy of your program. It earns enthusiastic applause from family audiences and works equally well in a spring concert or contest setting where judges appreciate writing that engages young ensembles without condescension.

Skills your students will build

  • Jazz and soul harmonies (tertian chords with altered extensions)
  • Calypso and R&B rhythmic feels and groove consistency
  • Solo performance confidence in a supportive ensemble context
  • Balance and blend across mixed harmonic textures
  • Sectional independence while maintaining ensemble cohesion

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