Blue - From Krisanna's Colors Sheet Music Preview

Blue - From Krisanna's Colors: String Orchestra Conductor Score & Parts

From Krisanna's Colors

By Robert W. Smith

Grade: 2

Item: 98-PK-RWS2174

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Description
Simple, yet elegant and graceful, "Blue" is a lyrical work by Robert W. Smith scored for the developing string orchestra Beautiful harmonic changes rooted in the language of American jazz make "Blue" a rich educational experience on many levels. With its poignant melody and beautiful chordal setting, Blue is appropriate for any concert or festival performance. Highly recommended!

Original Item#: RWS-2174-00

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Additional Details
Series: RWS - Developing Strings
Publisher: RWS Music Company
SKU: 98-PK-RWS2174

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as a defining voice in American orchestral and concert band composition. With over 400 published works to his credit, the majority published through Alfred Music, Smith's catalog spans symphonies, programmatic works, and pieces for developing ensembles that have been performed across North America, Europe, Australia, and Asia. His education at Troy State University (AL) and the University of Miami (FL) grounded his distinctive harmonic language and orchestrational clarity.

Beyond the concert hall, Smith's music has reached audiences through television broadcasts, ceremonial events, and major cultural occasions ranging from Olympic Games coverage to the opening of the Macy's Thanksgiving Day Parade. As a conductor and clinician, he has worked extensively with student musicians throughout the United States, Canada, Japan, Australia, and Europe, understanding firsthand the needs and capabilities of developing ensembles.

Why we love this

Smith captures the lyrical essence of a Grade 2 piece without sacrificing harmonic substance. The jazz-inflected chord progressions give your orchestra genuine musical language to explore, transforming what could be a simple melody into a study in sophisticated harmony. Paired with its elegant accessibility, this work delivers real musical growth without overwhelming a developing ensemble.

What to expect

Graceful and unhurried, with a contemplative melody that floats above gently shifting chords. The jazz harmonies create moments of unexpected color and warmth, giving the piece an expressive depth that feels mature despite its straightforward accessibility.

Who it's for

String orchestra programs at the Grade 2 level seeking repertoire that balances accessibility with musical substance. This work rewards developing orchestras with rich harmonic language while remaining manageable in terms of technical demands and instrumental ranges.

How to get the most out of it

  • Balance the melody with sensitive accompaniment voices; the beauty of this piece emerges when chordal parts don't overshadow the primary line.
  • Observe the harmonic color changes carefully during rehearsal, isolating the parts that define Smith's jazz-influenced progressions so students hear how the chords support the melody.
  • Shape phrases with attention to the poignant character; encourage string players to use vibrato expressively rather than mechanically to deepen the emotional arc.
  • Release notes together at phrase endings to maintain the elegant quality throughout, especially in passages where sustained chords might blur if not carefully controlled.

How to use it

Ideal as a concert opener that establishes an elegant tone, or positioned alongside other lyrical works to showcase your orchestra's ability to sustain expression. The poignant character makes it equally appropriate for festival performances where you want to demonstrate both musicianship and refine ensemble balance.

Skills your students will build

  • Listening to and balancing harmonic texture in jazz-influenced chord progressions
  • Sustaining long phrases with consistent tone quality across the ensemble
  • Expressing melodic intent through strategic use of vibrato and dynamic shaping
  • Reading and interpreting American jazz-inflected harmonies in a classical context

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