Blue: Concert Band Conductor Score & Parts
By Robert W. Smith
Grade: 2.5
Item: 98-PK-RWS1503
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Blue: Score | $10.00 | |
| Blue: 1st Flute | $3.99 | |
| Blue: Oboe | $3.99 | |
| Blue: 1st B-flat Clarinet | $3.99 | |
| Blue: 2nd B-flat Clarinet | $3.99 | |
| Blue: B-flat Bass Clarinet | $3.99 | |
| Blue: Bassoon | $3.99 | |
| Blue: 1st E-flat Alto Saxophone | $3.99 | |
| Blue: B-flat Tenor Saxophone | $3.99 | |
| Blue: E-flat Baritone Saxophone | $3.99 | |
| Blue: 1st B-flat Trumpet | $3.99 | |
| Blue: 2nd B-flat Trumpet | $3.99 | |
| Blue: 1st F Horn | $3.99 | |
| Blue: 1st Trombone | $3.99 | |
| Blue: 2nd Trombone | $3.99 | |
| Blue: Baritone B.C. | $3.99 | |
| Blue: Baritone T.C. | $3.99 | |
| Blue: Tuba | $3.99 | |
| Blue: 1st Mallet Percussion | $3.99 | |
| Blue: Timpani | $3.99 | |
| Blue: 1st Percussion | $3.99 | |
| Blue: 2nd Percussion | $3.99 |
Parts Added to Cart!
Related Items
Blue - From Krisanna's Colors: String Orchestra Conductor Score & Parts |
$60.00
|
View | |
Blue - From Krisanna's Colors: Full Orchestra Conductor Score & Parts |
$80.00
|
View | |
Blue: Concert Band Conductor Score & Parts |
$60.00
|
View | |
Blue: Concert Band Conductor Score |
$10.00
|
View | |
Blue: String Orchestra Conductor Score & Parts |
$60.00
|
View | |
Blue: String Orchestra Conductor Score |
$8.00
|
View | |
Blue: Full Orchestra Conductor Score & Parts |
$80.00
|
View | |
Blue: Full Orchestra Conductor Score |
$10.00
|
View |
Description
Original Item#: RWS-1503-00
Blue: Concert Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Robert W. Smith

Robert W. Smith stands among America's most recorded composers for concert band and orchestra, with over 400 published works to his credit. He holds degrees from Troy State University and the University of Miami, and his original compositions have been performed by ensembles across North America, Europe, Australia, and Asia.
Beyond the concert hall, Smith's music has reached audiences through major television broadcasts, Olympic ceremonies, and iconic American events ranging from the Macy's Thanksgiving Day Parade to Opening Day at Dodger Stadium. His symphonic works, including The Divine Comedy and The Odyssey, have become repertoire standards, while his developing band pieces like The Tempest serve as essential educational resources for growing ensembles.
Why we love this
Smith crafts emotional depth without technical overreach, giving Grade 2.5 bands genuine musical material that rewards careful listening. The jazz-informed harmonic language introduces students to extended tertian harmony and chromatic voice leading in an organically musical context, making this piece both pedagogically rich and genuinely beautiful enough to move an audience.
What to expect
Blue unfolds with quiet introspection, its melody expressing something intimate while the harmonic palette shifts underneath like light moving across water. The piece trades virtuosity for restraint, creating space for listeners to feel the emotional weight of each chord change.
Who it's for
Developing concert bands looking for repertoire that combines accessibility with genuine artistic substance. Directors seeking to expose students to American compositional voices and jazz-influenced harmony without overmatching their technical abilities will find this piece essential.
How to get the most out of it
- Shape the phrase endings with subtle dynamic release rather than abrupt cutoffs; let the harmonic resolutions breathe.
- Balance the melody against supporting voices so the lyricism emerges clearly while the jazz harmonies remain audible underneath.
- Rehearse the sectional entrances in measure-by-measure segments to lock the harmonic progression; uneven attacks will obscure Smith's carefully voiced chords.
How to use it
Program Blue early in a concert as a palate-cleansing contrast to brasher opening numbers, or place it in the second half where its reflective quality helps audiences settle into deeper listening. The piece works particularly well in festival settings where judges appreciate compositional craft and student musicianship over difficulty.
Skills your students will build
- Voicing jazz harmonies (seventh chords, chromatic voice leading)
- Balancing melody against complex harmonic backgrounds
- Shaping lyrical phrases with dynamic sensitivity
- Reading and performing harmonic progressions rooted in American jazz language