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Bewitched: Choral Octavo SoundTrax CD

$21.95 USD
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Bewitched: Choral Octavo SoundTrax CD

Music by Richard Rodgers, lyrics by Lorenz Hart / arr. Russell Robinson

Item: 00-CDM03032

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Description
Say "Rodgers and Hart" and it congers up an amazing array of pop standards that have lived for decades. This wonderful tune from "Pal Joey" comes to life in a rich new choral setting from Russ Robinson. Easy and fun to sing!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 654979037385
SKU: 00-CDM03032

More about this title

About the Composer: Richard Rodgers

Richard Rodgers (1902-1979) composed some of the most enduring melodies in American musical theater, collaborating with lyricist Lorenz Hart during the 1920s and 1930s. His gift for memorable, singable lines and sophisticated harmonic language set the standard for Broadway composition and influenced generations of songwriters. Rodgers' work remains central to choral and vocal repertoire because his melodies sit naturally in the voice and his songs tell stories that resonate across decades.

Why we love this

Russell Robinson's arrangement preserves the sophistication of Rodgers' original melody while making it genuinely accessible for community and school choirs. The SoundTrax accompaniment gives singers a secure harmonic foundation, letting you focus on blend and phrasing rather than fighting to hear the parts. This is the kind of standard that audiences recognize immediately, which builds your singers' confidence and makes for satisfying concert programming.

What to expect

The tune has an understated elegance characteristic of 1940s theatrical songwriting, sophisticated without being precious. Rodgers' melody unfolds with a conversational ease, and the rich harmonic setting gives singers the pleasure of blending parts that support rather than complicate the main idea.

Who it's for

Choirs seeking repertoire that combines musical substance with accessibility will find this a strong choice for both intermediate and advanced singers. It works equally well for school choirs, community ensembles, and church choirs looking to program a recognizable standard from the American songbook.

How to get the most out of it

  • Use the recorded accompaniment to establish the harmonic foundation during early rehearsals, then gradually reduce reliance on it as singers internalize their parts.
  • Shape the melody with long, connected phrases rather than clipping the ends of notes; Rodgers' songwriting rewards legato phrasing.
  • Pay attention to diction in Hart's lyrics to ensure text clarity; the sophistication of the writing deserves articulate delivery.
  • Balance the choral parts so the primary melody line emerges naturally without forcing it.

How to use it

Include this alongside other standards from the golden age of musical theater to create a concert section celebrating American songwriting, or pair it with other Rodgers and Hart arrangements for a focused retrospective. Its accessibility makes it ideal for school concerts or community events where you want to program something both meaningful and immediately gratifying for your audience.

Skills your students will build

  • Legato phrasing and line shaping in popular song style
  • Blend and balance in four-part harmony
  • Clear articulation of sophisticated lyrical text
  • Listening to recorded accompaniment and tracking harmonic changes

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