Bewitched (from <I>Pal Joey</I>) Sheet Music Preview

Bewitched (from Pal Joey): SATB Choral Octavo

Music by Richard Rodgers, lyrics by Lorenz Hart / arr. Russell Robinson

Level: Moderate

Item: 00-PO-0004826

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Minimum order quantity: 20 copies

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Description
Say "Rodgers and Hart" and it congers up an amazing array of pop standards that have lived for decades. This wonderful tune from "Pal Joey" comes to life in a rich new choral setting from Russ Robinson. Easy and fun to sing!

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0004826

More about this title

About the Composer: Richard Rodgers

Richard Rodgers (1902-1979) shaped American musical theater across five decades, creating melodies that became the backbone of the standard repertoire. His partnership with lyricist Lorenz Hart produced some of Broadway's most enduring songs, including "Bewitched" from the 1940 musical Pal Joey, before Rodgers went on to collaborate with Oscar Hammerstein II on classics like The Sound of Music and South Pacific.

Why we love this

Robinson's arrangement captures the sultry sophistication of Rodgers' original while keeping the vocal writing accessible and engaging for Grade 3 singers. The tune itself has instant appeal for choirs and audiences alike; it's a standard that people recognize and love. This is the kind of repertoire that makes singers feel connected to a living tradition of great American songwriting.

What to expect

Smoky and romantic, with just enough harmonic color to keep things interesting without overwhelming singers at this level. The melody has a speaking quality, conversational and intimate, while the arrangement provides rich support underneath. It's the kind of song that feels both classic and immediate.

Who it's for

This octavo works for intermediate-level high school choirs and strong middle school groups who are ready to tackle jazz-influenced harmony and want to perform recognizable, sophisticated repertoire. It's also an excellent choice for adult community choirs looking for material that audiences will know and enjoy.

How to get the most out of it

  • Emphasize the lyrical quality of the melody line. This song thrives on singers who shape phrases with intention rather than sing in a rhythmically square way.
  • Balance the harmonies so the top line sits comfortably without needing to push; Rodgers' melody is strong enough to lead naturally.
  • Use the recorded accompaniment to lock in the jazz-inflected harmonic rhythm, which has a swing feel that can take time to internalize without a reference.

How to use it

Program this alongside other American standards or Broadway selections for a concert celebrating the Great American Songbook. It also pairs well with other Rodgers and Hart numbers if you're building a themed program around that partnership. The moderate difficulty level makes it suitable as a mid-concert piece that gives audiences a moment of pure musical pleasure.

Skills your students will build

  • Singing jazz-influenced chord progressions and chromatic movement
  • Phrasing extended melodic lines with breath control and musicality
  • Blending four-part harmony over a syncopated rhythmic accompaniment
  • Interpreting lyrical text with character and nuance

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