Best Song Ever: SSA Choral Octavo
Words and music by Edward Drewett, Wayne Hector, Julian Bunetta, and John Ryan / arr. Alan Billingsley
Item: 00-PO-0001940
Minimum order quantity: 20 copies
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More about this title
Why we love this
Alan Billingsley's arrangement captures the infectious energy of a global pop phenomenon while keeping the writing accessible for SSA choirs. The piece brings contemporary radio hits into the rehearsal room without sacrificing musicality or fun, and students genuinely want to sing it.
What to expect
Energetic and celebratory with an irresistible hook that students will remember after one rehearsal. The SSA voicing gives the piece brightness while the pop arrangement keeps it current and engaging, capturing that summer-anthem feeling that made the original so infectious.
Who it's for
Middle school and high school choirs looking to program contemporary pop that resonates with singers. This arrangement works for groups comfortable with rhythmic independence and pop/rock style but not requiring advanced vocal technique.
How to get the most out of it
- Keep the rhythmic drive tight and consistent throughout. The syncopation that makes this song pop live on the radio needs to feel effortless in your singers' mouths, so isolate those rhythmic figures in sectionals before rehearsing full texture.
- Balance the vocal layers so the melody always lands clearly. With three parts moving at different rhythmic rates, one part can easily disappear; check your blend across the ensemble to ensure the hook remains the anchor.
- Use the recorded accompaniment to lock into the original groove early. Students internalize the style faster when they hear the actual rhythmic pocket and production feel rather than imagining it.
How to use it
Place this in a spring or end-of-year concert alongside other contemporary pop selections to give your program accessibility and audience connection. It works as a powerful opener or a high-energy closer that leaves the audience smiling.
Skills your students will build
- Syncopated rhythmic reading in pop/rock style
- Singing with rhythmic independence across three vocal lines
- Blending multiple melodic layers in contemporary arrangements
- Style and phrasing in pop vocal music