Best Song Ever: SAB Choral Octavo
Words and music by Edward Drewett, Wayne Hector, Julian Bunetta, and John Ryan / arr. Alan Billingsley
Item: 00-PO-0001939
Minimum order quantity: 20 copies
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Why we love this
Alan Billingsley's arrangement captures the infectious energy of this global hit while keeping the voicing accessible for mixed groups. SAB scoring at this level rarely delivers both pop authenticity and genuinely singable parts, making this a rare win for directors who want contemporary repertoire without compromise. The 16-page octavo includes the recorded accompaniment option, which means you can rehearse with or without it depending on your ensemble's development.
What to expect
This arrangement fizzes with the optimistic, carefree spirit of a summer anthem. The rhythmic drive and accessible harmonies create immediate momentum, while the familiar melody carries singable lines that sit comfortably in most choral ranges. It feels like the kind of song that energizes a concert and reminds audiences why they love singing in a choir.
Who it's for
Choirs with limited SAB experience who want to perform contemporary pop successfully. This works equally well for middle school or high school groups looking to program something their singers recognize and want to sing. If your ensemble includes treble-voiced singers or has gaps in your lower voice sections, SAB voicing gives you the flexibility to adjust assignments while keeping the arrangement intact.
How to get the most out of it
- Lock in the rhythmic precision early. This song lives in its groove, so establish a steady tempo in rehearsal before layering the harmonies.
- Balance the lead vocal line with the harmony parts. Even in full voice, listeners need to hear the memorable melody that made this a chart-topper.
- Lean into the energy shift when the arrangement builds. Mark dynamic changes clearly in the score so singers understand when to dial up intensity without losing clarity.
- Use the recorded accompaniment strategically during early rehearsals to help singers hear how their parts sit against the actual pop production.
How to use it
Program this as a gateway into pop choral literature for ensembles ready to expand beyond classical and showtune traditions. It pairs effectively alongside one sophisticated pop or contemporary piece and a traditional selection in a mixed concert. Consider it for pops concerts, end-of-year celebrations, or any program where you want to close with infectious energy and audience engagement.
Skills your students will build
- Rhythmic independence in a pop/rock idiom
- Balancing lead vocals with supporting harmony
- Singing with contemporary vocal production and phrasing
- Following a recorded accompaniment while maintaining ensemble integrity