Best Day of My Life Sheet Music Preview

Best Day of My Life: SAB Choral Octavo

Words and music by Zachary Barnett, James Adam Shelley, Matthew Sanchez, David Rublin, Shep Goodman, and Aaron Accetta [American Authors] / arr. Andy Beck

Item: 00-PO-0002035

Digital Download
$1.95

Minimum order quantity: 20 copies

Description
Alternative indie rockers American Authors climbed the charts in 14 countries with this irrepressibly upbeat anthem that has youthful enthusiasm to spare. The plucky banjo riff and street-percussion rhythms are instantly recognizable, and a singable hook offers squeaky-clean pop lyrics. Our SSA voicing easily adapts for 2-part choirs by incorporating a small group of singers on a repetitive one-bar signature phrase.

Best Day of My Life: SAB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0002035

More about this title

About the Composer: Zachary Barnett

Zachary Barnett is the lead vocalist and primary songwriter for American Authors, the indie rock band that emerged from Brooklyn in the early 2010s. His gift for crafting infectious melodies paired with relatable, often introspective lyrics has defined the band's sound across multiple chart-topping releases. Barnett's songwriting balances pop accessibility with the raw energy of alternative rock, making his compositions natural candidates for choral adaptation.

Why we love this

Andy Beck's arrangement captures every ounce of the original's infectious momentum while tailoring it perfectly for mixed choirs. The SAB voicing stays singable across a wide range of ability levels, and the option to bring in a small section for that signature banjo-inspired phrase keeps the arrangement fresh and rhythmically engaging without overwhelming rehearsal time.

What to expect

Bursting with optimism and infectious positivity, this arrangement pulses with the rhythmic vitality of its indie-rock origins. Singers feel the immediacy and accessibility of a modern hit while being part of a larger ensemble sound that's polished, energetic, and undeniably fun to perform.

Who it's for

Choirs of all skill levels looking to program contemporary pop music that genuinely excites young singers. The three-part mixed voicing works for high school choirs, community ensembles, and even advanced middle school groups seeking material that bridges pop radio and legitimate choral performance.

How to get the most out of it

  • Keep the street-percussion rhythms articulate and synchronized across the ensemble. These percussive syllables and rhythmic spoken elements drive the groove and make the arrangement unmistakably contemporary.
  • Balance the repetitive hook phrase with clarity in the full sections so the familiar melodic motive lands without sounding buried under harmony.
  • Lean into the youthful energy of the lyrics and tempo; this arrangement thrives on enthusiasm and a lighter, conversational tone rather than operatic weight.
  • If using the recorded accompaniment, let your singers lock into its rhythm early and often during rehearsals so they can perform confidently without relying on it.

How to use it

Program this as a lighter moment in a concert showcasing both classical and contemporary literature, or build an entire pop-influenced concert around similar arrangements in the Alfred Pop Choral Series. Its high recognition factor makes it a crowd pleaser for family concerts, pops events, or any program aiming to connect with younger audiences and current singers.

Skills your students will build

  • Rhythmic precision in syncopated and percussive passages
  • Balancing individual melodic lines within three-part harmony
  • Singing contemporary pop music with stylistic authenticity
  • Coordination of spoken or rhythmic elements with sustained singing
  • Adapting ensemble sound between smaller sections and full choir

You May Also Like