Best Day of My Life Cover Image

Best Day of My Life: SAB Choral Octavo

$1.95 USD
Sale price  $1.95 USD Regular price 
Skip to product information
Best Day of My Life Cover Image

Best Day of My Life: SAB Choral Octavo

Words and music by Zachary Barnett, James Adam Shelley, Matthew Sanchez, David Rublin, Shep Goodman, and Aaron Accetta [American Authors] / arr. Andy Beck

Item: 00-43176

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.95
Shipped

One moment…

Description
Alternative indie rockers American Authors climbed the charts in 14 countries with this irrepressibly upbeat anthem that has youthful enthusiasm to spare. The plucky banjo riff and street-percussion rhythms are instantly recognizable, and a singable hook offers squeaky-clean pop lyrics. Our SSA voicing easily adapts for 2-part choirs by incorporating a small group of singers on a repetitive one-bar signature phrase.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Best Day of My Life: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081487182
SKU: 00-43176

More about this title

About the Composer: Zachary Barnett

Zachary Barnett is the lead vocalist and primary songwriter for American Authors, the alternative rock band that emerged from the Brooklyn music scene in the early 2010s. He co-wrote "Best Day of My Life" with bandmates James Adam Shelley, Matthew Sanchez, David Rublin, Shep Goodman, and Aaron Accetta. The song became a global phenomenon, reaching the top 10 in 14 countries and establishing American Authors as one of the defining voices of contemporary pop-rock.

Barnett's songwriting combines infectious melodies with introspective lyrics that resonate across age groups. His work demonstrates how indie rock sensibilities can reach mainstream audiences without sacrificing authenticity or musicality. For choral directors, Barnett's catalog offers repertoire that speaks directly to young singers' musical tastes while maintaining strong compositional integrity.

Why we love this

This arrangement captures every element that made the original a global hit: the infectious energy, the instantly memorable hook, and the street-level authenticity that resonates with choirs who want to sing music that genuinely matters to them. Andy Beck's voicing for SAB ensures accessibility without sacrificing the song's distinctive rhythmic character, and the flexibility to deploy a small group on the signature one-bar phrase gives you clever options for emphasizing dynamics and creating textural interest throughout the piece.

What to expect

Pure, uncomplicated joy delivered with infectious rhythm and singable melodic hooks. The arrangement maintains the original's upbeat swagger and youthful exuberance while creating moments where three-part harmony deepens the emotional resonance. You'll feel the energy build from the first phrase and sense why this song captured listeners across 14 countries.

Who it's for

Choirs at the middle school, high school, and community levels who want contemporary repertoire that connects with singers' actual musical lives. This works especially well for groups looking to program popular music alongside traditional repertoire or for directors seeking pieces that build excitement at concerts without requiring an extensive percussion section.

How to get the most out of it

  • Nail the rhythmic precision of those street-percussion elements early in rehearsals. The song's infectious quality depends entirely on a tight, confident groove, so isolate the rhythmic patterns and lock them in before layering the melody.
  • Treat the banjo riff as a sonic reference point. Even though your choir won't play it, understanding its contour and energy helps singers capture the right articulation and phrasing in their parts.
  • Use the small-group phrase strategically for contrast. Rather than having all sopranos or all altos carry it every time, consider rotating the responsibility or splitting it between sections to keep the texture fresh across the twelve pages.
  • Balance the pop sensibility with clear diction. The squeaky-clean lyrics need to land without sounding overly precious; find the sweet spot where youth and enthusiasm come through without sacrificing musical maturity.

How to use it

Program this as an opener or penultimate piece to energize your audience and lift the emotional temperature of your concert. Its contemporary idiom pairs well with a mix of classical standards and other popular arrangements, or use it as a standalone moment in a set focused on modern choral repertoire. The twelve-page length and SAB voicing also make it suitable for spring or end-of-year concerts where time constraints matter.

Skills your students will build

  • Rhythmic precision in pop and rock idioms
  • Layering of parts with contrasting rhythmic profiles
  • Phrasing and articulation in contemporary music
  • Managing energy and ensemble blend in uptempo arrangements
  • Flexible voicing awareness (SAB and implied 2-part options)

You May Also Like