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Beauty: SSA Choral Octavo

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Beauty: SSA Choral Octavo

Words by John Parker, music by Vicki Tucker Courtney

Item: 00-39815

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Description
With words that speak to the heart and music that inspires, this artful song will be a favorite of the women in your choral group. Lush three-part sonorities allow for stunning chromatic lines.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Beauty: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081444765
SKU: 00-39815

More about this title

About the Composer: Vicki Tucker Courtney

Vicki Tucker Courtney

Vicki Tucker Courtney began piano study at age four and developed deep roots in choral music through accompanying work at North Texas State University. Her career has spanned composing and arranging across choirs, piano, handbells, and solo voice, earning multiple ASCAP Plus Awards for her prolific output.

Mentored by Dove Award winner Mark Hayes in the early 2000s, Courtney has published over 350 titles since reaching her first 100 in 2009. She maintains an active teaching studio in Columbia, Tennessee, where she continues to compose while instructing piano and composition students.

Why we love this

Courtney's gift for chromatic writing creates rich harmonic textures that feel both sophisticated and singable for SSA voices. The lyrical content and lush sonorities combine to produce a piece that resonates emotionally without requiring advanced vocal technique, making it genuinely rewarding for singers to perform and audiences to hear.

What to expect

The piece unfolds with an intimate, contemplative quality. Lush harmonic movement and carefully woven chromatic lines create a sense of elegance and emotional depth that lingers after the final chord.

Who it's for

This octavo works well for developing SSA ensembles with basic musicianship in place. Directors seeking meaningful repertoire that challenges singers harmonically without overwhelming them will find this a strong choice for concert programming.

How to get the most out of it

  • Balance the chromatic lines across all three parts so one voice doesn't dominate; blend the parts as a unified harmonic whole rather than tracking individual melodies.
  • Pay particular attention to intonation during the chromatic passages, which can drift flat if singers aren't supported by consistent breath and solid vowel placement.
  • Shape phrases through dynamic subtlety rather than dramatic contrast; the piece's artful quality depends on thoughtful shaping within a narrower dynamic range.

How to use it

Pair this with lighter, shorter pieces to create textural variety in a concert or use it as the centerpiece of a program focused on art songs and contemporary secular choral work. Its 12-page length gives it the weight of a substantial selection without overwhelming rehearsal schedules.

Skills your students will build

  • Voice leading across three SSA parts with attention to chromatic movement
  • Harmonic independence and blend in ensemble singing
  • Expressive phrasing and dynamic control within a refined aesthetic
  • Intonation accuracy in chromatic passages

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