Beauty: SSA Choral Octavo
Words by John Parker, music by Vicki Tucker Courtney
Item: 00-PO-0001630
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Vicki Tucker Courtney

Vicki Tucker Courtney began her musical journey on piano at age four and went on to study extensively at North Texas State University, where she accompanied choral ensembles. Over the past two decades, she has built a prolific career as a composer and arranger, writing for choirs, piano, handbells, and solo voice across both sacred and secular contexts.
Courtney's work has earned her multiple ASCAP Plus Awards, and she was mentored by Dove Award winner Mark Hayes in 2002 and 2004. By 2009 she had published 100 titles; by 2017, that number had grown to over 350. She continues to compose full time, teaches piano and composition to students of all ages, and resides in Columbia, Tennessee.
Why we love this
Courtney writes with a keen ear for what voices can do together. The chromatic movement woven through these three-part harmonies creates lush, sophisticated textures that sound far more complex than they are to learn, giving singers the reward of sounding polished quickly. The text carries real emotional weight without being heavy, making this a piece that resonates with singers and audiences alike.
What to expect
The music unfolds with emotional sincerity, carried by warm harmonic progressions and chromatic movement that adds depth to every phrase. Singing these parts creates an immediate sense of blend and resonance, making singers feel connected to one another and to the text.
Who it's for
SSA choirs looking for accessible yet artistically satisfying repertoire that showcases the warmth of three-part writing. This works especially well for treble choirs seeking pieces that feel substantial and contemporary without requiring advanced sight-reading skills.
How to get the most out of it
- Balance the chromatic lines carefully during rehearsal so they emerge as a unified melodic idea rather than competing individual parts; consider having singers 'shadow' other parts to understand how their line fits into the larger harmonic color.
- Shape the longer phrases through gentle dynamic growth rather than sudden changes; this music breathes naturally when singers understand how the text drives the line forward.
- Use the 12-page score to identify spots where doubling or light soprano reinforcement helps the ensemble lock in complex sonorities, especially if your group is learning the piece for the first time.
How to use it
Pair this with other contemporary SSA or SSAA selections for a concert focused on texts about meaning and connection. Its artistic sensibility and moderate length make it ideal for spring concert programming or showcases where you want to highlight the expressive capabilities of your treble voices.
Skills your students will build
- Reading and sustaining chromatic lines across multiple parts
- Balancing inner harmony parts with clear, controlled tone
- Shaping longer phrases through text-driven musicality
- Blending three-part sonorities with focused intonation