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Basic Fiddlers Philharmonic: Old-Time Fiddle Tunes: CD

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Basic Fiddlers Philharmonic: Old-Time Fiddle Tunes Cover Image

Basic Fiddlers Philharmonic: Old-Time Fiddle Tunes: CD

By Andrew H. Dabczynski and Bob Phillips

Item: 00-28324

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Description
Basic Fiddlers Philharmonic: Old-Time Fiddle Tunes is absolutely perfect for introducing fiddling to your youngest string players. Eleven tunes from the old-time American fiddling tradition are presented first in a simplified, "basic" version of the tune printed with note names in the note heads. Following the Philharmonic format, the tune is then presented in an "advanced," but still accessible version of the tune. Several options for simple back-ups and very basic improvisation tips are provided for each instrument. Basic Fiddlers Philharmonic keeps each version on its own staff to avoid confusing young readers and lyrics are included where applicable. The accompaniment CD features recordings of both versions as well as a back-up track for play-along at home or in class.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
ISBN10: 0-7390-4865-1
ISBN13: 978-0-7390-4865-8
UPC: 038081308999
SKU: 00-28324

More about this title

About the Author: Andrew H. Dabczynski

Andrew H. Dabczynski

Andrew H. Dabczynski is an Emeritus Professor of Music Education at Brigham Young University, where he established the BYU New Horizons Orchestra as both a performance ensemble for adult beginning string players and a training ground for string educators. His contributions to music pedagogy earned him BYU's Joseph E. White Fellowship for Teaching and Learning, and Utah ASTA recognized him as Higher Education Teacher of the Year in 2005 and again in 2014 for his outstanding work in music education.

A violist with deep roots in orchestral performance, Dabczynski has played with the Rochester Philharmonic, Hartford Symphony, Portland Symphony, and other regional orchestras, as well as serving six years as a member of the Colden String Quartet at Western Michigan University. His scholarly focus on fiddling and traditional music transmission, combined with his string pedagogical expertise, informed the widely used String Explorer method series. His work reflects a lifelong commitment to making string learning accessible and engaging for students at all levels.

Why we love this

This collection proves that introducing young string players to fiddling doesn't require simplifying the joy out of the music. The dual-version approach lets students see exactly how their basic reading skills can grow into fuller musical expression, and the inclusion of backup tracks and improvisation tips transforms what could be a rote exercise into genuine collaborative music-making.

What to expect

Warm, approachable, and genuinely musical. These old-time American fiddle tunes carry the unmistakable character of their tradition while remaining accessible to young fingers and emerging musicianship. There's no condescension in the writing, only clear scaffolding that respects the music's integrity.

Who it's for

Young string orchestras and beginning ensemble classes where students are still developing note-reading fluency and confidence with rhythmic accuracy. This collection also suits mixed-age community orchestras, Suzuki string groups transitioning into ensemble reading, and classroom string programs seeking engaging folk material that connects to cultural traditions.

How to get the most out of it

  • Start with the basic versions to build confidence with note names and simple bow strokes, then gradually introduce the advanced versions once students feel secure with the melodies.
  • Use the backup tracks during rehearsal to help students internalize the harmonic foundation; this reference point makes the transition to more autonomous ensemble playing much smoother.
  • Encourage rotation among the instrumental parts (particularly for backup figures) so students experience both melody and accompaniment roles within a single rehearsal.
  • Reference the improvisation suggestions early and often, even at the basic level, to normalize creative participation rather than treating it as an advanced skill.

How to use it

Program one or two tunes on a concert featuring student growth, pairing the basic version with the advanced version to demonstrate ensemble development across the year. These tunes also work well as warm-up material or community engagement pieces, where the folk heritage and simple beauty make them appropriate for casual performances or outreach settings.

Skills your students will build

  • Reading note names in note heads and transitioning to standard notation
  • Recognizing and playing simplified versus more elaborate versions of the same melody
  • Performing basic sustained accompaniment figures (backup parts) while others play melody
  • Understanding rhythmic conventions in folk music and recognizing repeated melodic phrases
  • Participating in improvisation within a harmonic framework

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