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Basic Fiddlers Philharmonic: Old-Time Fiddle Tunes: Viola Book & Online Audio

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Basic Fiddlers Philharmonic: Old-Time Fiddle Tunes: Viola Book & Online Audio

By Andrew H. Dabczynski and Bob Phillips

Item: 00-28319

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Basic Fiddlers Philharmonic: Old-Time Fiddle Tunes is absolutely perfect for introducing fiddling to your youngest string players. Eleven tunes from the old-time American fiddling tradition are presented first in a simplified, "basic" version of the tune printed with note names in the note heads. Following the Philharmonic format, the tune is then presented in an "advanced," but still accessible version of the tune. Several options for simple back-ups and very basic improvisation tips are provided for each instrument. Basic Fiddlers Philharmonic keeps each version on its own staff to avoid confusing young readers and lyrics are included where applicable. The accompaniment audio features recordings of both versions as well as a back-up track for play-along at home or in class.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-4860-0
ISBN13: 978-0-7390-4860-3
UPC: 038081308944
SKU: 00-28319
Instrumentation: Viola

More about this title

About the Author: Andrew H. Dabczynski

Andrew H. Dabczynski

Andrew H. Dabczynski holds emeritus status at Brigham Young University, where he established the BYU New Horizons Orchestra as both a performance ensemble and a training ground for string pedagogy. His work in adult string education earned him BYU's Joseph E. White Fellowship for Teaching and Learning. He has served on faculty at the Eastman School of Music and in public school leadership roles across New York and Michigan, while maintaining active committee positions with the American String Teachers Association. Utah ASTA recognized him as Higher Education Teacher of the Year in 2005 and honored his outstanding contributions to music education in 2014.

As a violist, Dabczynski has performed with regional orchestras including the Rochester Philharmonic, Hartford Symphony, and Portland Symphony, and was a six-year member of the Colden String Quartet at Western Michigan University. His scholarly focus on folk music and ethnomusicology has shaped a career-long interest in traditional fiddling and its transmission across generations. He co-authored String Explorer, a comprehensive string method series published by Alfred, bringing that same pedagogical rigor to accessible string instruction.

Why we love this

The dual-version format gives young violists genuine ownership of the learning process: they can build confidence with the simplified arrangement, then tackle the more idiomatic version once their rhythmic and harmonic foundation solidifies. The inclusion of easy backup parts transforms these tunes into ensemble-building moments rather than isolating solo exercises. Because Dabczynski grounded this series in real pedagogical expertise and folk music scholarship, these arrangements preserve the character and spirit of old-time fiddling while remaining genuinely playable for beginning string players.

What to expect

These eleven tunes carry the warmth and directness of old-time American fiddling without the intimidation. Playing them feels immediate and historical at once: you're connecting to a living tradition while mastering fundamental string skills. The melodies are memorable and singable, grounded in folk wisdom rather than virtuosity.

Who it's for

This book serves elementary and early middle school string programs introducing fiddling to violists ready to move beyond method book basics. It works equally well for beginning adult string players encountering American folk tradition for the first time. Younger students benefit from the notated note names in the simplified versions, while the advanced arrangements ensure musicians don't outgrow the material quickly.

How to get the most out of it

  • Lean into the rhythmic swing of these tunes rather than playing them metronomically. Old-time fiddle music lives in slight pushes and pulls, so encourage your violists to listen closely to the accompaniment audio and internalize those phrasing patterns.
  • Use the backup tracks for home practice to build ensemble awareness even when students are practicing alone. Knowing they're playing alongside something gives beginners a real sense of contribution.
  • Start with the simplified versions in rehearsal, then move to the advanced arrangements only after students can play the melodies cleanly and with basic musicality. This scaffolding prevents overwhelm.
  • Invite violists to experiment with the improvisation tips provided for each tune. Frame these as creative opportunities, not technical challenges, to build confidence in musical decision-making.

How to use it

Feature a few tunes in a casual family concert or end-of-year celebration where the repertoire's accessibility invites community participation and appreciation. Rotate individual tunes throughout the year as ensemble warmups, using them to teach musicality and ensemble listening in manageable chunks. The backup tracks make these ideal candidates for a winter assembly or casual performance where students can play with recorded accompaniment rather than relying on full rehearsal support.

Skills your students will build

  • Reading simplified notation with note names as a bridge to standard notation
  • Interpreting rhythmic swing and flexibility in traditional folk idioms
  • Playing in ensemble with recorded accompaniment and tracking harmonic movement
  • Basic improvisation and rhythmic variation within a melodic framework
  • Phrase shaping and musical phrasing beyond note accuracy

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