Band Expressions™, Book One: Student Edition Cover Image

Band Expressions™, Book One: Student Edition: Piano Acc. (Instrumental) Book & CD

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Band Expressions™, Book One: Student Edition Cover Image

Band Expressions™, Book One: Student Edition: Piano Acc. (Instrumental) Book & CD

By Robert W. Smith, Susan L. Smith, Michael Story, Garland E. Markham, and Richard C. Crain with contributions from Linda J. Gammon and James Campbell

Level: 1

Item: 00-EMCB1017CD

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Description
Band Expressions™ is a full-band curriculum that provides music educators at all levels with easy-to-use, exciting tools to meet daily classroom challenges and bring new vibrancy and depth to teaching music. The lessons were written based on the National Standards for Music Education -- not retrofitted to the Standards. The program is both music literacy-based and literacy driven -- based on music literacy while satisfying reading and writing mandates in band class.

Each student book features an attractive full-color interior with easy-to-read notes and includes:
-A 96-track accompaniment CD that spans exercises throughout the book
-Historical notes on some of the most notable composers of band music
-A thorough glossary of musical terms

Future reprints may be printed with black and white interiors.

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Additional Details
Series: Band Expressions
Publisher: Alfred Music
ISBN10: 0-7579-1815-8
ISBN13: 978-0-7579-1815-5
UPC: 654979070474
SKU: 00-EMCB1017CD
Instrumentation: Piano

More about this title

About the Author: Robert W. Smith

Robert W. Smith

Robert W. Smith has established himself as a cornerstone voice in American band and orchestral composition, with over 400 works published through Alfred Music and performed across six continents. He holds degrees from Troy State University and the University of Miami, and his original concert band works—including his symphonies The Divine Comedy and The Odyssey—have become repertoire standards alongside foundational pieces like The Tempest. Beyond the concert hall, his music has reached audiences through Olympic broadcasts, network television, and major ceremonial events from Japan to Dodger Stadium.

As a conductor and clinician, Smith has led ensembles and taught throughout North America, Europe, Australia, and Asia, bringing direct classroom experience to his pedagogical writing. His prolific output and international recognition reflect both his compositional craft and his deep understanding of what develops musicians at every level.

Why we love this

Band Expressions Book One grounds itself in the National Standards without retrofitting them, which means every lesson reinforces actual musicianship from the first page. The inclusion of a 96-track accompaniment CD transforms isolated exercises into musical conversations, keeping students engaged while building literacy skills that transfer directly to concert repertoire. Smith and his co-authors have written specifically for the realities of the classroom—no filler, just tools that work.

What to expect

Purposeful and clear. Every exercise has a reason and a sound; the accompaniment CD transforms what could feel like drills into actual ensemble playing. The full-color pages and glossary of terms create a sense of professionalism that young musicians respond to—this feels like real musicianship, not busy work.

Who it's for

Piano accompanists supporting a beginning concert band program, or pianists learning Band Expressions literature alongside band students. This book works equally well for a pianist reinforcing the harmonic and rhythmic foundations of early band method study, or for studio pianists preparing to collaborate with developing wind musicians.

How to get the most out of it

  • Use the accompaniment CD to set a steady pulse during rhythmic drills; students internalize tempo and meter far more quickly when playing against a consistent harmonic framework rather than counting alone.
  • Experiment with different tempos on the CD tracks as students gain confidence; starting slower builds security, but graduating the speed keeps the material from becoming rote.
  • Have students listen to a track before playing it through once; this preview time shifts focus from decoding notes to listening for musical shape and expression.
  • Pair the historical composer notes with the relevant exercises so students understand the musical context they're building toward; a brief anecdote before practicing a passage rooted in that composer's style deepens investment.

How to use it

Deploy this as the backbone of your beginning band curriculum, with the piano part supporting sectionals, full rehearsals, and solo practice. The 96 tracks mean you can differentiate within a rehearsal, letting advanced students work ahead while the piano maintains continuity across the room. Many directors use Band Expressions throughout the first year, then transition to concert literature in spring once students have the literacy foundation.

Skills your students will build

  • Reading treble and bass clef in beginning positions
  • Understanding whole, half, quarter, and eighth note values and their relationships
  • Recognizing major and minor tonalities through listening and playing
  • Coordinating rhythm with harmonic accompaniment
  • Building familiarity with standard musical terminology and symbols
  • Recognizing compositional styles and historical contexts of band music

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