Ballad of the Tempest Cover Image

Ballad of the Tempest: SATB Choral Octavo

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Ballad of the Tempest Cover Image

Ballad of the Tempest: SATB Choral Octavo

Words by James T. Fields, music by Ruth Morris Gray

Item: 00-23902

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Description
The captivating words of James T. Fields are set to dramatic music evocative of a tumultuous sea and symbolizing the constant struggle of man versus nature. An exciting musical story that your choir will love to tell. Effective in all voicings.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Ballad of the Tempest: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081260303
SKU: 00-23902

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray brings both compositional sophistication and classroom experience to her work. With a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, she has developed a distinctive voice across over 100 published choral works. Her credentials include a California Single Subject Music Credential from California State University, Northridge.

Since 2004, Gray has served as Director of Choirs at Rosemead High School in Rosemead, California, where she teaches piano and conducts the choral program. Her dual life as an educator and composer means her pieces are written with the rehearsal room in mind—they challenge singers musically while remaining practical for high school ensembles.

Why we love this

Gray's setting captures genuine dramatic energy without requiring advanced technical demands, allowing singers to focus on storytelling and ensemble cohesion. The piece mines real tension from the Fields text, making it engaging for singers who might otherwise approach a ballad passively. Programming this signals to your choir that narrative depth and musical excitement belong together.

What to expect

The music swells and subsides like waves, pulling singers into the struggle between human will and elemental force. There is an undercurrent of unease woven through the harmony, moments of relative calm, and swelling intensity that mirrors a ship battling the sea. The overall effect is dramatic and accessible, never precious.

Who it's for

SATB choirs at the high school level will find an accessible yet musically substantial piece that teaches arrangement awareness and dramatic interpretation. The octavo format makes it practical for rehearsal and performance. Any choir seeking a secular narrative work that moves beyond traditional ballad conventions will connect with this setting.

How to get the most out of it

  • Shape the dynamic arc to mirror the storm's intensity. Restraint in earlier phrases makes the climactic moments land with genuine force.
  • Balance the SATB voicing so the soprano line never disappears into the texture, even when lower voices swell. Gray's writing asks for precise part independence.
  • Find the emotional stakes in the text early in rehearsal. This piece rewards singers who understand what the tempest represents beyond literal weather.
  • Allow slight flexibility in tempo during the most dramatic passages to breathe with the story rather than metronomic precision.

How to use it

Use this as a concert anchor for a program exploring humanity's relationship with nature, or pair it with instrumental works that evoke weather and landscape. Its dramatic arc makes it effective as a second-half opener when you need to recapture audience attention. The piece also works well in a mixed concert alongside lighter fare, where it demonstrates your ensemble's narrative and dynamic range.

Skills your students will build

  • Dynamic control and dramatic shaping in a secular choral context
  • SATB independence and balance within a cohesive ensemble sound
  • Text-driven interpretation and emotional connection to narrative poetry
  • Ensemble listening and part awareness in a piece with active harmonic movement

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