Aufforderung zum Tanze, Op. 65/ J. 260 (L'Invitation a la Valse; Invitation to the Dance) Cover Image

Aufforderung zum Tanze, Op. 65/ J. 260 (L'Invitation a la Valse; Invitation to the Dance): Full Orchestra, Conductor Score & Parts

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Aufforderung zum Tanze, Op. 65/ J. 260 (L'Invitation a la Valse; Invitation to the Dance) Cover Image

Aufforderung zum Tanze, Op. 65/ J. 260 (L'Invitation a la Valse; Invitation to the Dance): Full Orchestra, Conductor Score & Parts

By Carl Maria von Weber, ed./arr. by Hector Berlioz/ Charles Malherbe/ Felix Weingartner

Item: 36-A226202

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Description
AUFFORDERUNG ZUM TANZE (L'INVITATION A LA VALSE; INVITATION TO THE DANCE), Op. 65/ J. 260, an early example of program music by Carl Maria von Weber (1786-1826), was originally heard in its 1819 version for solo piano. Dedicating it to his wife, to whom he had only been married a few months, he described a narrative in which a man attending a ball tries to solicit a lady to dance with him. At first, she eludes him, but eventually accepts the invitation. Hector Berlioz scored the work for full orchestra in 1841. Listeners will frequently begin to applaud after the false ending, thinking that the piece has concluded. Instrumentation: 1+Picc.2.2.4: 4.2+Crnt(2).3.0: Timp: Hp(2): Str (9-8-7-6-5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 659359537332
SKU: 36-A226202
Instrumentation: 1+Picc.2.2.4: 4.2+Crnt(2).3.0: Timp: Hp(2): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Carl Maria von Weber

Carl Maria von Weber (1786-1826) was a German composer and conductor whose works shaped the Romantic era and established the foundation of German opera. His contributions to orchestral music, chamber works, and vocal writing demonstrated a distinctive gift for melody and dramatic storytelling. Weber's influence on 19th-century composers was profound; his innovations in harmony, orchestration, and program music made him a bridge figure between Classical forms and Romantic expression.

Beyond composition, Weber was an accomplished pianist and conductor who championed new music and mentored the next generation of German musicians. His early death at 39 cut short a career of remarkable productivity, yet his legacy endures through works that remain central to concert programming and teaching repertoires across Europe and North America.

Why we love this

Berlioz's orchestration of this piano narrative transforms Weber's intimate story into a grand ballroom scene that showcases your orchestra's full range of colors and technical abilities. The false ending alone makes this a crowd-pleaser that teaches musicians to stay engaged through unexpected structural turns, and the familiar waltz idiom gives audiences an immediate emotional entry point while demanding genuine musical maturity from your ensemble.

What to expect

The music captures a Romantic-era ballroom with remarkable specificity: hesitant at first, then increasingly confident and lyrical as the dance unfolds. Berlioz's orchestration shimmers with warmth and delicate detail, building from intimate pleading to full jubilant celebration, then catching listeners off guard with a moment of uncertainty before the triumphant final gesture.

Who it's for

Orchestras with secure fundamental technique and mature musicianship will find this work rewarding at the intermediate-advanced level. It demands solid coordination across a full complement of instruments and sensitive listening to Berlioz's complex orchestral textures, making it ideal for ensembles ready to move beyond basics into 19th-century scoring practices.

How to get the most out of it

  • Balance the two harps carefully in their supporting role; they should enhance the shimmer of the orchestration without overwhelming the string texture that carries the melodic material.
  • Mark the false ending in all parts so every section recognizes it as a structural moment, not an actual conclusion. This prevents the ensemble from relaxing when the music should remain poised.
  • Shape the opening dialogue between the lone voice and the lady's evasion with clear dynamic contrast; the orchestration gives you plenty of textural variety to make the narrative progression audible.
  • Watch the cornets and brass entrances carefully in Berlioz's scoring. These instruments color the dance episodes distinctly, and clarity in their articulation will sharpen the overall orchestral blend.

How to use it

Program this alongside other Romantic orchestral showpieces to celebrate the era's narrative and structural innovations. The accessible waltz charm and dramatic architecture make it an excellent closer for a concert where you want the audience to leave with a sense of pleasure and orchestral splendor, especially when paired with more austere or contemporary works earlier in the program.

Skills your students will build

  • Balancing texture across 19th-century orchestration with prominent woodwind, brass, and harp roles
  • Responding to unexpected structural moments (the false ending) with ensemble cohesion
  • Shaping long melodic phrases that pass through multiple instrumental choirs
  • Coordinating cornets and expanded brass sections within a Classical-size orchestra
  • Interpreting program music through articulation and dynamic contrast rather than literal gesture

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