At the Royal Court Cover Image

At the Royal Court: Concert Band Conductor Score

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At the Royal Court Cover Image

At the Royal Court: Concert Band Conductor Score

By William Owens

Grade: 1.5

Item: 00-51939S

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Description
Revisit the magic of the Renaissance with At the Royal Court, a clever and engaging original work by William Owens that sounds remarkably sophisticated yet is extremely playable! This three movement work is inspired by popular dance forms from the era including "Basse Danse," "Galliard," and 'Bransle." Perform individual movements or as a complete set! (3:30)

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Additional Details
Series: MakeMusic Developing Band
Publisher: MakeMusic Publications
ISBN10: 1-4706-7437-8
ISBN13: 978-1-4706-7437-3
UPC: 038081596648
SKU: 00-51939S

More about this title

About the Composer: William Owens

William Owens

William Owens brings three decades of classroom experience to his compositional work. Based in Fort Worth, Texas, he has built an extensive catalog of over 300 pieces for concert band, string orchestra, and small ensemble since 1993. His music appears on festival and contest lists across the country, and he has received commissions from major organizations including the American Bandmasters Association and Phi Beta Mu International.

A VanderCook College of Music graduate and Distinguished Alumnus, Owens stepped away from full-time band directing in 2014 after 30 years to focus on composition and clinician work. His approach to writing for young ensembles balances musical substance with genuine playability, earning recognition from the Texas Bandmasters Association and inclusion in educational texts.

Why we love this

Owens captures the elegant sophistication of Renaissance court music without asking your young band to stretch beyond Grade 1.5 technical demands. The three-movement structure gives you real programming flexibility: teach all three movements or select the one that fits your concert theme and rehearsal time. Directors consistently return to his work because it teaches authentic musical style while keeping the ensemble engaged and successful.

What to expect

This work opens a window into Renaissance court life with authentic dance rhythms and elegant scoring that feels far more mature than the grade level suggests. Each movement captures the distinct personality of its historical inspiration, inviting your ensemble to inhabit a different musical world within the span of three and a half minutes.

Who it's for

Developing bands at the Grade 1.5 level who are ready for music with real historical context and character development. Directors preparing for festival season, thematic concerts, or contest festivals will find this especially useful, since it allows strong musicianship to shine without technical barriers.

How to get the most out of it

  • Shape each dance form distinctly. The Basse Danse moves with stately dignity; the Galliard should dance with rhythmic vitality; the Bransle invites a lighter, more playful character. Let the ensemble hear and feel these stylistic shifts during rehearsal.
  • Balance clarity of line with the programmatic context. Renaissance dances were functional music for actual movement, so rhythmic precision and articulation matter as much as tone quality.
  • Consider performing the movements without pause to create forward momentum and narrative continuity, or use brief pauses to reset if programming individual selections.

How to use it

At the Royal Court works beautifully as the centerpiece of a historical or thematic concert exploring music across centuries. Pair it with Baroque or contemporary pieces to frame the Renaissance in broader context, or perform all three movements as a complete mini-suite that showcases your band's growing versatility.

Skills your students will build

  • Identifying and performing contrasting dance forms (Basse Danse, Galliard, Bransle) with appropriate stylistic character
  • Maintaining consistent rhythmic pulse across tempo and texture changes
  • Balancing articulation and phrasing to reflect historical musical conventions
  • Reading and executing multiple independent melodic lines at the Grade 1.5 level

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