Another Op'nin', Another Show: SoundTrax Digital Audio Download

This arrangement captures everything directors love about programming Broadway repertoire: a recognizable, joyful opening number that energizes an audience, harmonic sophistication that challenges singers without overwhelming them, and built-in movement and staging opportunities that make rehearsal feel like theatre from day one. The Philip Kern arrangement respects Porter's original while giving choirs room to perform with personality.

Anticipation and theatrical energy: the moment the curtain rises and anything feels possible. Porter's melody is instantly singable yet sophisticated, buoyed by warm harmonies and a rhythm that propels the piece forward with optimism and charm.

High school and college choirs looking for a proven show-stopper with immediate audience appeal and solid musical substance. This works equally well for concert choirs seeking accessible Broadway repertoire and theatre ensembles building a musical production.

• Build momentum through the opening lines by keeping vowels bright and consonants crisp; the energy of a new show opening depends on infectious clarity and forward motion.
• Use the recorded accompaniment to lock ensemble rhythms, especially in syncopated passages where the style demands precision without rigidity.
• Lean into character with dynamics and phrasing rather than volume; Porter's wit lives in the details, not in belting.
• Practice the movement and staging cues as integral to rehearsal from the start, since blocking shapes how singers breathe and phrase together.

Open a pops concert or spring musical with this, or slot it into a Broadway-themed program where it can anchor the first half. The piece works beautifully as a finale too, sending audiences out with the energy and wit that defined American musical theatre at its peak.

• Broadway style and diction conventions
• Singing through syncopated rhythms while maintaining forward motion
• Harmonic independence in close-voiced arrangements
• Integration of movement and blocking with vocal technique
• Interpretive choices that serve character and comedic timing