Another Op'nin', Another Show Cover Image

Another Op'nin', Another Show: Choral SoundPax

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Another Op'nin', Another Show Cover Image

Another Op'nin', Another Show: Choral SoundPax

Words and music by Cole Porter / arr. Philip Kern

Item: 00-28559

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Description
From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today's choirs. It's a classic "show-biz" 2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the "Hooray for Hollywood!" movement DVD #28868. Includes parts for alto sax., tenor sax., 2 trumpet, 2 trombone, rhythm, synthesizer, xylophone, timpani, and percussion.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Another Op'nin', Another Show: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 56
UPC: 038081311036
SKU: 00-28559
Instrumentation: SoundPax

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) composed some of the most sophisticated and witty musical theater works of the twentieth century. His melodies are instantly singable, his harmonies elegant and jazz-inflected, and his lyrics demonstrate a rare gift for rhyme and theatrical storytelling. Porter's influence on American musical theater remains foundational, and his songs continue to anchor choral and popular music repertoire across educational and professional settings.

Why we love this

This arrangement captures everything that makes a Broadway opener work: infectious energy, clear storytelling, and genuine fun. Philip Kern's orchestration for the SoundPax ensemble brings the pit-band sound directly into your rehearsal, complete with horns and rhythm that make the song feel like a real production. Choirs that perform this walk away understanding how to build theatrical excitement and control a crowd from the opening moment.

What to expect

Pure Broadway in its element: brassy, confident, and celebratory. The song pulses with the energy of a theater lobby on opening night, full of optimism and the particular joy that comes from live performance. Your singers will feel the difference between singing a song about the stage and performing from the stage.

Who it's for

Choirs that want to open a concert or show with genuine theatrical flair and don't shy away from entertainment value. This works equally well for high school show choirs, community theater pit ensembles, and college choral groups looking to program something that connects with audiences immediately.

How to get the most out of it

  • Lock the rhythmic precision of the rhythm section and percussion parts; the 2-beat feel only lands when the accompaniment is rock-solid, which allows the choir to relax into the groove.
  • Shape the alto sax and trumpet lines that weave through the vocal parts as countermelodies, not as background texture. These deserve clarity and vibrant tone.
  • Commit to the theatrical quality of the lyrics and staging. This song lives on confidence and showmanship; if your singers are holding back emotionally, the audience will feel it.
  • Balance the xylophone and timpani punctuation carefully so they accent the comedy of the lyrics without overwhelming the vocal line.

How to use it

This is an ideal opening number for a pops concert, spring musical revue, or even a winter holiday show that includes a theatrical segment. It also works beautifully as a finale if you want to send audiences out with the same infectious spirit with which they entered. The movement and staging options make it adaptable to your venue and vision.

Skills your students will build

  • Singing in a 2-beat feel with clear rhythmic precision
  • Balancing choral blend with featured instrumental lines
  • Understanding theatrical vocal delivery and character work through song
  • Interpreting orchestrated arrangements with multiple instrumental parts
  • Responding to choreographed movement while maintaining vocal control

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